A work in constant progress (and occasional regress).
Release Date:
March 2, 1990
Original Title:
The Hunt for Red October
Alternate Titles:
A la poursuite d'Octobre Rouge
Caccia a Ottobre Rosso
Caçada ao Outubro Vermelho
Jakten på Rød Oktober
Lov na Crveni Oktobar
Polowanie na Czerwony Październik
Το Κυνήγι του Κόκκινου Οκτώβρη
Переслідуючи "Червоний Жовтень"
ล่าตุลาแดง
猎杀红色十月
追擊赤色十月
Genres:
Action | Adventure | Thriller
Production Companies:
Mace Neufeld Productions
Nina Saxon Film Design
Paramount Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: 12 CH: 12 DE: 12 DK: 15 ES: APTA FI: K-12 FR: 12 GB: PG GR: 13 HU: 12 IE: 12 IT: T JP: G NL: 6 NO: 12 PT: M/12 SE: 11|15 US: PG-13
Runtime: 135
A new technologically-superior Soviet nuclear sub, the Red October, is heading for the U.S. coast under the command of Captain Marko Ramius. The American government thinks Ramius is planning to attack. Lone CIA analyst Jack Ryan has a different idea: he thinks Ramius is planning to defect, but he has only a few hours to find him and prove it - because the entire Russian naval and air commands are trying to find Ramius, too. The hunt is on!
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ADR Editor:
Shelley Rae Hinton
Jay Kamen
ADR Mixer:
Bob Baron
Art Direction:
William Cruse
Donald B. Woodruff
Dianne Wager
Assistant Editor:
John Haggar
Marcelo Sansevieri
Michael Ruscio
Assistant Sound Editor:
Donald Ortiz
Anne Couk
CG Artist:
Scott E. Anderson
Steve Williams
CG Painter:
Robert L. Clark
Cableman:
Debbie Jo Grillo
Camera Operator:
Roger Gebhard
Carpenter:
Mike Sasgen
Casting:
Amanda Mackey
Color Timer:
Tom Shaffer
Construction Coordinator:
Dennis DeWaay
Construction Foreman:
Steve Fegley
Costumer:
Darryl M. Athons
Gary Sampson
Director:
John McTiernan
Director of Photography:
Jan de Bont
Dolby Consultant:
Douglas Greenfield
Dolly Grip:
Michael J. Coo
Driver:
Michael Forte
Editor:
John Wright
Dennis Virkler
Executive Producer:
Jerry Sherlock
Larry DeWaay
Extras Casting:
Jimmy Jue
First Assistant Director:
Jerry Ballew
First Company Grip:
Larry J. Aube
Foley Artist:
Ken Dufva
David Lee Fein
Foley Editor:
Victoria Martin
Foley Mixer:
Greg Curda
Foley Supervisor:
Pamela Bentkowski
Graphic Designer:
Joe A. Hawthorne
Hairstylist:
Dino Ganziano
Leadman:
William F. Reinert
Lighting Technician:
Ed Ayer
Location Manager:
Stuart Neumann
Joel Marx
Makeup Artist:
Jim Kail
Wes Dawn
Modeling:
Mark Yuricich
Music Editor:
Tom Villano
Novel:
Tom Clancy
Orchestrator:
Greig McRitchie
Original Music Composer:
Basil Poledouris
Painter:
Ron Gress
Producer:
Mace Neufeld
Production Design:
Terence Marsh
Production Sound Mixer:
Richard Bryce Goodman
Production Supervisor:
Joel Marx
Property Master:
Tommy Tomlinson
Willard Livingston
Isidoro Raponi
Rotoscoping Artist:
Tom Bertino
Kathleen Beeler
Screenplay:
Donald E. Stewart
Larry Ferguson
Script Supervisor:
Luca Kouimelis
Second Assistant Director:
Steve Danton
Second Company Grip:
David Canestro
Second Unit Director:
Todd Turner
Beau Marks
Second Unit Director of Photography:
Alexander Witt
Second Unit First Assistant Director:
J. Tom Archuleta
Set Decoration:
Mickey S. Michaels
Sound Editor:
John Benson
Bruce Fortune
Frank Howard
F. Hudson Miller
Sound Effects:
John P. Fasal
Sound Re-Recording Mixer:
Kevin F. Cleary
Richard Overton
Special Effects Assistant:
Manuel S. Epstein
Jan Aaris
James Camomile
William Aldridge
Special Effects Coordinator:
Al Di Sarro
Still Photographer:
Bruce McBroom
Stunt Coordinator:
Chuck Picerni Jr.
Stunts:
Gary Epper
Carl Ciarfalio
Shane Dixon
Steve Hulin
Monty Cox
Ronnie Rondell Jr.
Supervising ADR Editor:
Juno J. Ellis
Supervising Sound Editor:
Cecelia Hall
George Watters II
Transportation Captain:
Mike Fenster
Transportation Coordinator:
Myra Hill
Unit Production Manager:
Beau Marks
Visual Effects Art Director:
Steve Beck
Visual Effects Editor:
David Bartholomew
Visual Effects Lineup:
Michael Backauskas
Visual Effects Production Assistant:
Tim August
Visual Effects Supervisor:
Scott Squires
John Knoll
Wardrobe Supervisor:
James W. Tyson
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.