A work in constant progress (and occasional regress).
Release Date:
May 23, 2007
Original Title:
Why Be Good?: Sexuality & Censorship in Early Cinema
Alternate Titles:
Why Be Good? Sexuality & Censorship in Early Cinema
Genres:
Documentary
Production Companies:
A&F Productions
Playboy Enterprises
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 70
Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.
Additional Photography:
Bill Sheehy
Assistant Editor:
Sarah Weiss
Associate Producer:
Sarah J. Baker
Barbara Lockridge
Marvin Paige
John Sinner
Co-Executive Producer:
Jason Burns
Richard Rosenzweig
Co-Producer:
Michael Yakaitis
Costume Supervisor:
Kristen Kirst
Director:
Elaina Archer
Director of Photography:
Todd Friedrichsen
Editor:
Elaina Archer
Todd Friedrichsen
Executive Producer:
Hugh Hefner
Graphic Designer:
Luana Osling
Grip:
Craig Friedrichsen
Patrick Nevins
Makeup & Hair:
Haydee Serrano
Original Music Composer:
Maria Newman
Producer:
Todd Friedrichsen
Elaina Archer
Production Sound Mixer:
Jeff Levy
Sound:
Patrick Nevins
Sound Engineer:
Jeff Levy
Sound Mixer:
Todd Friedrichsen
Supervising Producer:
Kathryn Rzasa
Writer:
Elaina Archer
Scott Eyman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.