A work in constant progress (and occasional regress).
Release Date:
November 9, 2007
Original Title:
I Vicerè
Alternate Titles:
I Viceré
Viimeinen perillinen
副王家の一族
Genres:
Drama | History | Romance
Production Companies:
FICC
Jean Vigo Italia
RAI Cinema
Rai Fiction
Regione Siciliana
Rising Star Productions
VIP 2 Medienfonds
Production Countries:
Italy
Ratings / Certifications:
IT: T JP: G
Runtime: 117
In late 19th-century Sicily, the noble Uzeda family—whose lineage dates back to the ancient viceroys that ruled those lands—fights to preserve its waning power in the face of the newly unified Italian regime.
Accountant:
Stefano Bassetti
Loredana Di Martino
Art Direction:
Francesco Frigeri
Biagio Fersini
Assistant Camera:
Maura Morales Bergmann
Assistant Costume Designer:
Bojana Nikitović
Claudio Manzi
Johanna Bronner
Assistant Editor:
Chiara Vullo
Francesco Bilotti
Assistant Production Design:
Atos Mastrogirolamo
Carmelina Orlando
Biagio Fersini
Assistant Property Master:
Roberto Benetti
Alessandro De Marco
Danilo Zera
Paolo Iudice
Assistant Set Decoration:
Salvatore Saito
Assistant Sound Designer:
Francesco Capanna
Riccardo Gaggioli
Assistant Sound Editor:
Riccardo Spagnol
BTS Footage:
Iacopo Zanon
Filippo Macelloni
Stefano Rigano
Boom Operator:
Emanuele Cuccia
Camera Operator:
Alessandro Gentili
Casting:
Dino Gentili
Romina Morra
Chief Lighting Technician:
Emilio Scattaretico
Co-Producer:
Joan Antoni González
Co-Writer:
Renato Minore
Tullia Giardina
Color Grading:
Massimo Gubinelli
Colorist:
Guerrino Di Benedetto
Construction Foreman:
Nino Nastasi
Costume Assistant:
Medile Siaulytyte
Elena Moncada
Alessandra Stella
Cecilia Cafiero
Costume Coordinator:
Patrizia Roletti
Costume Design:
Milena Canonero
Decorator:
Mauro Masotti
Director:
Roberto Faenza
Director of Photography:
Maurizio Calvesi
Editor:
Massimo Fiocchi
Executive Producer:
Giulio Cestari
Extras Casting:
Antonio Spoletini
First Assistant Camera:
Emanuele Leurini
First Assistant Director:
Franco Nardella
Gaffer:
Roberto Magliozzo
Simon Russo
Fabio Capozzi
Massimo Moreschini
Roberto Raccis
Generator Operator:
Alberto Grassi
Grip:
Lorenzo Sardini
Luca Pagliara
Marco Montanaro
Hair Department Head:
Maria Teresa Corridoni
Hairstylist:
Mario Pegoretti
Nunzio Errico
Francesca De Simone
Rosa Luciani
Rita Cecchini
Key Grip:
Massimo Galiano
Line Producer:
Alessandro Calosci
Location Manager:
Pino Cori
Makeup Artist:
Laura Borselli
Giuseppe Desiato
Roberta Picconi
Enrico Iacoponi
Makeup Department Head:
Gino Tamagnini
Novel:
Federico De Roberto
Original Music Composer:
Paolo Buonvino
Painter:
Paolo Cameli
Post Production Supervisor:
Giulia Maura
Producer:
Elda Ferri
Production Coordinator:
Anita Pellacci
Production Design:
Francesco Frigeri
Production Manager:
Mauro Maggioni
Production Secretary:
Marcello Colantoni
Antonio Scimone
Giorgia Biferali
Property Master:
Italo Maurizi
Vladimiro Cecconi
Screenplay:
Filippo Gentili
Roberto Faenza
Francesco Bruni
Andrea Porporati
Script Supervisor:
Margherita Spampinato
Giorgia Onofri
Seamstress:
Gastone Grassi
Giampiero Grassi
Second Assistant Camera:
Alfio D'Agata
Second Assistant Director:
Elvis Frasca
Set Decoration:
Nello Giorgetti
Sound:
Bruno Pupparo
Sound Editor:
Marzia Cordò
Sound Effects Editor:
Paolo Pucci
Andrea Caucci
Saverio Lancia
Sound Mixer:
Gianni Pallotto
Still Photographer:
Philippe Antonello
Claudio Iannone
Story:
Roberto Faenza
Story Editor:
Mariella Buscemi
Stunt Coordinator:
Vittorio Nencini
Thanks:
Roberto Benigni
Nicoletta Braschi
Third Assistant Director:
Sebastiano Riso
Giulio La Monica
Unit Production Manager:
Federico Cori
Francesco Trifirò
Raffaella Ridolfi
VFX Supervisor:
Paola Trisoglio
Stefano Marinoni
Visual Effects Assistant Editor:
Federica Nisi
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.