A work in constant progress (and occasional regress).
Release Date:
November 22, 1989
Original Title:
Back to the Future Part II
Alternate Titles:
Atgal i ateiti II
Back to the Future 2
Back to the Future II
Back to the Future Part 2
De Volta para o Futuro 2
Gələcəyə Dönüş 2
Regreso al Futuro II
Regreso al Futuro parte II
Retorn al futur 2a part
Retour vers le futur 2
Retour vers le futur II
Ritorno al futuro - Parte 2
Ritorno al futuro 2
Ritorno al futuro II
Tilbage til Fremtden del II
Volver al Futuro II
Vrnitev v prihodnost II
Zurueck in die Zukunft 2
Zurück in die Zukunft 2
tro ve tuong lai 2
vissza a jovobe II
Назад в будущее 2
Повратак у будућност 2
בחזרה לעתיד II
უკან მომავალში მეორე ნაწილი
უკან მომავალში ნაწილი 2
バック・トゥ・ザ・フュー チャー 2
バック・トゥ・ザ・フューチャー PART2:1989
バック・トゥ・ザ・フューチャー2
回到未來 2
回到未來II
백 투 더 퓨처 2
백 투 더 퓨쳐 2
빽 투 더 퓨처 2
빽 투 더 퓨쳐 2
Genres:
Adventure | Comedy | Science Fiction
Production Companies:
Amblin Entertainment
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 AU: PG BR: L DE: 12 DK: 7 ES: A FI: K-10 FR: TP GB: PG GR: PG HU: 12 IE: PG IT: T KR: 12 MX: A NL: 6 PT: M/12 RO: AP RU: 12+ SE: 11 US: PG
Runtime: 108
Marty and Doc are at it again in this wacky sequel to the 1985 blockbuster as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents -- again.
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ADR Editor:
Mary Andrews
ADR Supervisor:
Larry Singer
Additional Camera:
Casey Hotchkiss
Animation Coordinator:
Judith Weaver
Animation Supervisor:
Wes Takahashi
Art Direction:
Margie Stone McShirley
Assistant Accountant:
Colleen Arnaud
Assistant Art Director:
Lynn Christopher
Assistant Camera:
Jalal Pashandi
Assistant Chief Lighting Technician:
Thomas Marshall
Assistant Editor:
Janet Fiona Mason
Assistant Makeup Artist:
Karen Kubeck
Assistant Production Coordinator:
Susan Spencer Robbins
Assistant Property Master:
Richard Leon
Assistant Sound Editor:
Peter C. Barbour
Associate Editor:
Peter Lonsdale
Associate Producer:
Steve Starkey
Best Boy Electric:
John D. Todd
Best Boy Grip:
Sid Lucero
Boom Operator:
Earl Sampson
Camera Loader:
Jolanda R. Wipfli
Camera Operator:
Raymond Stella
Carpenter:
Marc Fambro
Casting:
Judy Taylor
Valorie Massalas
Mike Fenton
Casting Assistant:
Joni Kearney
Characters:
Robert Zemeckis
Bob Gale
Chief Lighting Technician:
Mark Walthour
Choreographer:
Brad Jeffries
Color Timer:
Dale E. Grahn
Conductor:
Alan Silvestri
Construction Coordinator:
Walt Hadfield
Construction Foreman:
Jerry Sargent
Costume Design:
Joanna Johnston
Costume Supervisor:
Nancy McArdle
Costumer:
Gala Autumn
Craft Service:
Tim Gonzales
Director:
Robert Zemeckis
Director of Photography:
Dean Cundey
Dolly Grip:
Al LaVerde
Driver:
Richard Burch
Editor:
Harry Keramidas
Arthur Schmidt
Editorial Coordinator:
Dawn Oltman
Electrician:
Robert P. Quiroz
Executive Producer:
Steven Spielberg
Kathleen Kennedy
Frank Marshall
First Assistant Camera:
Clyde E. Bryan
First Assistant Director:
David McGiffert
Foley Artist:
Ellen Heuer
Foley Mixer:
Greg Orloff
Foley Recordist:
Carolyn Tapp
Gaffer:
Peter Clarson
General Manager:
Scott Ross
Greensman:
Larry Lennert
Grip:
Marty Dobkousky
Hairstylist:
Allen Payne
Hazel Catmull
Dorothy Byrne
Key Grip:
Ron Cardarelli
Key Rigging Grip:
Bill Baker
Leadman:
Tom McCown
Lighting Technician:
Steve Chandler
Location Manager:
Paul Pav
Makeup Artist:
Nancy J. Hvasta Leonardi
Ellis Burman Jr.
Makeup Designer:
Ken Chase
Music Editor:
Kenneth Karman
Negative Cutter:
Kevin Havner
Orchestrator:
James B. Campbell
Original Music Composer:
Alan Silvestri
Painter:
Cary Conway
Post Production Supervisor:
Martin Cohen
Producer:
Bob Gale
Neil Canton
Production Accountant:
Stevie Lazo
Production Assistant:
Elizabeth Ann Bundschu
Production Controller:
Bonne Radford
Production Coordinator:
Lata Ryan
Production Design:
Rick Carter
Production Illustrator:
Jonas David
Production Sound Mixer:
William B. Kaplan
Property Master:
John Zemansky
Propmaker:
Neil Garland
Scoring Mixer:
Dennis S. Sands
Screenplay:
Bob Gale
Script Supervisor:
Marion Tumen
Second Assistant Camera:
Larry D. Davis
Second Assistant Director:
Cara Giallanza
Second Unit Director:
Max Kleven
Set Decoration:
Linda DeScenna
Set Designer:
Beverli Eagan
Set Dressing Artist:
Larry Boyd
Sound Editor:
Gregg Baxter
Sound Recordist:
Albert Romero
Special Effects Supervisor:
Michael Lantieri
Special Effects Technician:
Thomas R. Homsher
Standby Painter:
Jerry Gadette
Still Photographer:
Ralph Nelson Jr.
Story:
Robert Zemeckis
Bob Gale
Stunt Coordinator:
Walter Scott
Stunt Double:
Cheryl Wheeler Duncan
Stunts:
Charles Croughwell
John-Clay Scott
Richie Gaona
Will Cascio
David Rowden
Greg Wayne Elam
Mike Watson
R.L. Tolbert
Karen E. Laine
Pat Romano
Gary Morgan
Tony Brubaker
Supervising Sound Editor:
Charles L. Campbell
Transportation Captain:
Dale Henry
Transportation Co-Captain:
Keith O'Brien
Transportation Coordinator:
Russell McEntyre
Unit Production Manager:
Joan Bradshaw
Unit Publicist:
Michael Klastorin
Utility Stunts:
Bobby Aldridge
VFX Artist:
Loring Doyle
Video Assist Operator:
Steve Irwin
Visual Effects Art Director:
John Bell
Visual Effects Coordinator:
Kim Bromley
Visual Effects Editor:
Timothy Eaton
Visual Effects Producer:
Suella Kennedy
Visual Effects Supervisor:
Ken Ralston
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.