Speed (1994) [R]

Release Date:
June 9, 1994

Original Title:
Speed

Alternate Titles:
Máxima velocidad
Speed -niebezpieczna szybkość
Speed: niebezpieczna szybkość
The Bus That Couldn't Slow Down
スピード:1994
生死時速

Genres:
Action | Adventure | Crime

Production Companies:
20th Century Fox
The Mark Gordon Company

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BR: 14  CA: A  CZ: 12+  DE: 16  ES: 18  FR: U  GB: 15  HU: 16  IE: 15  IT: T  KR: 15  MX: B  NL: 12  PT: M/12  RO: 18  SE: 15  SK: 15  US: R 

Runtime: 116

Get ready for rush hour.

Jack Traven, an LAPD cop on SWAT detail, and veteran SWAT officer Harry Temple thwart an extortionist-bomber's scheme for a $3 million ransom. As they corner the bomber, he flees and detonates a bomb vest, seemingly killing himself. Weeks later, Jack witnesses a mass transit city bus explode and nearby a pay phone rings. On the phone is that same bomber looking for vengeance and the money he's owed. He gives a personal challenge to Jack: a bomb is rigged on another city bus - if it slows down below 50 mph, it will explode - bad enough any day, but a nightmare in LA traffic. And that's just the beginning...

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

American Film Institute (AFI)

2001
#99
100 Years: 100 THRILLS
100 Most Thrilling American Films

"B" Camera Operator:
Terry Bowen

ADR Editor:
Linda Folk
David Spence
Kay Rose
Beth Bergeron

ADR Mixer:
Darcy Kite
Robert Deschaine

ADR Voice Casting:
Barbara Harris

Additional Music:
John Van Tongeren

Additional Sound Re-Recording Mixer:
Sergio Reyes
B. Tennyson Sebastian III
Ezra Dweck

Art Department Assistant:
Kathleen R. White

Art Direction:
John R. Jensen

Assistant Art Director:
Geoff Hubbard

Assistant Dialogue Editor:
Samuel Webb
Jerry Pirozzi

Assistant Location Manager:
David E. Kaufman
Ed Lipscomb

Assistant Production Coordinator:
Michelle Holdsworth

Assistant Property Master:
Rick Chavez

Assistant Sound Editor:
Dana Gustafson
Jeena M. Phelps
Sonny Pettijohn

Best Boy Electric:
Peter Davidian

Best Boy Grip:
William E. Fitch

Boom Operator:
Steve Bowerman

CG Supervisor:
Ron Brinkmann

Cableman:
Kevin E. Patterson

Camera Loader:
Mark 'Boylee' Boyle

Casting:
Risa Bramon Garcia
Billy Hopkins

Casting Assistant:
Stephanie Brooks

Co-Producer:
Allison Lyon Segan

Color Timer:
Dennis McNeill

Construction Coordinator:
Jim Ondrejko

Costume Designer:
Ellen Mirojnick

Costumer:
Brad Anderson
Eden Clark Coblenz
Bob Morgan

Craft Service:
Michael Kehoe

Dialogue Editor:
Gregory M. Gerlich
Elliott Koretz
Pieter Hubbard
Marvin Walowitz
Hal Sanders

Director:
Jan de Bont

Director of Photography:
Andrzej Bartkowiak

Dolly Grip:
Michael Brennan

Editor:
John Wright

Electrician:
Chris Franco

Executive Producer:
Ian Bryce

First Assistant Director:
David Sardi

First Assistant Editor:
Barbara Dunning

Foley Mixer:
Eric Gotthelf
Bruce Bell
David W. Alstadter

Gaffer:
Chris Strong

Grip:
Nico Bally
Michael T. Travers

Hairstylist:
Susan Zietlow-Maust

Key Costumer:
Mari Grimaud

Key Grip:
Michael J. Coo

Key Hair Stylist:
Gus Le Pre

Key Makeup Artist:
Norman T. Leavitt

Location Manager:
George Herthel
James McCabe

Makeup Artist:
Pete Altobelli

Negative Cutter:
Gary Burritt

Original Music Composer:
Mark Mancina

Pilot:
Craig Hosking
Harry Hauss
Michael Tamburro

Producer:
Mark Gordon

Production Accountant:
Vicki Dee Rock

Production Coordinator:
Gretchen van Zeebroeck

Production Design:
Jackson De Govia

Production Secretary:
Elyse Allyn Ramsdell

Script Supervisor:
Wilma Garscadden-Gahret

Second Assistant Director:
Maggie Murphy

Second Second Assistant Director:
David Hallinan

Second Unit Director:
Alexander Witt

Set Decoration:
K.C. Fox

Set Designer:
Louis M. Mann
Peter R. Romero
Stan Tropp

Set Dresser:
Mark Davidson

Sound Effects Editor:
David Bartlett
Paul Berolzheimer
Dean Beville
John Dunn
Donald Flick
Judee Flick
Avram D. Gold
Warren Hamilton Jr.
Greg Hedgepath
Patricio A. Libenson
Kirk Schuler
Dean G. Manly
David E. Stone
Bruce Stubblefield

Sound Mixer:
David MacMillan

Sound Re-Recording Mixer:
Gregg Landaker
Steve Maslow
Bob Beemer

Special Effects:
R. Michael Bisetti
Ken Ebert
John Fontana
Greg C. Jensen
Jim Jolly
Michael Meinardus
Joe Pancake
Francis Pennington
Kevin Quibell
Richard Ratliff
John Bruce Robles
Ray Svedin

Special Effects Coordinator:
John Frazier

Standby Painter:
John Hinkle

Steadicam Operator:
Gregory Lundsgaard

Still Photographer:
Richard Foreman Jr.

Storyboard Artist:
Giacomo G. Ghiazza

Stunt Coordinator:
Gary Hymes

Stunts:
Patricia Tallman
Keii Johnston
Janet Brady
Jophery C. Brown
Gary Combs
Gilbert B. Combs
Gary Davis
Gary Epper
Donna Evans
Bobby J. Foxworth
John Hateley
Chris Howell
Tommy J. Huff
Jeff Jensen
Jim Kirby
Jon W. Kishi
William Morts
Carol Neilson
Randy Peters
Chad Randall
J.N. Roberts
Pat Romano
Ronnie Rondell Jr.
Brian Stewart
Scott Wilder
Laura Albert
Bob Orrison
Dane Farwell
Tom Elliott

Supervising ADR Editor:
Victoria Rose Sampson

Supervising Dialogue Editor:
Gary S. Gerlich

Supervising Sound Editor:
Stephen Hunter Flick

Technical Advisor:
Ed Arneson

Transportation Captain:
Candace Wells
Clay Bartholomew

Transportation Co-Captain:
Timothy P. Ryan

Transportation Coordinator:
Randy Peters

Unit Production Manager:
Ian Bryce

Unit Publicist:
Bob Hoffman

Visual Effects Supervisor:
Boyd Shermis

Writer:
Graham Yost

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.