A work in constant progress (and occasional regress).
Release Date:
March 29, 1991
Original Title:
Career Opportunities
Alternate Titles:
Divoká noc
Fogd a nőt és ne ereszd!
One Wild Night
Oportunidades de Exito
Une place à prendre
Villi yö
工作机遇
神采飛揚
神采飞扬
Genres:
Comedy | Romance
Production Companies:
Hughes Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: 14 ES: 16 FR: TP US: PG-13
Runtime: 83
Josie, the daughter of the town's wealthiest businessman, faces problems at home and wishes to leave town but is disoriented. Her decision is finalized after she falls asleep in a Target dressing room. She awakens to find herself locked in the store overnight with the janitor, Jim, the town "no hoper" and liar.
Art Direction:
Guy Barnes
Associate Producer:
Andi Capoziello
Cliff T.E. Roseman
Casting Director:
Pam Dixon
Costume Design:
Betsy Cox
Director:
Bryan Gordon
Director of Photography:
Donald McAlpine
Editor:
Peck Prior
Glenn Farr
Electrician:
Carl Johnson
Executive Producer:
Lora Lee
Key Hair Stylist:
Kaye Pownall
Key Makeup Artist:
E. Thomas Case
Music Supervisor:
G. Marq Roswell
Original Music Composer:
Thomas Newman
Post Production Supervisor:
Ron Payne
Francine Fleishman
Producer:
Hunt Lowry
John Hughes
Production Design:
Paul Sylbert
Set Decoration:
Kathe Klopp
Sound Editor:
Glenn Hoskinson
Patrick Bietz
Doug Jackson
Kim Secrist
Bernard Weiser
Sound Mixer:
James R. Alexander
Special Effects Coordinator:
John Frazier
Bob Shelley
Stunt Coordinator:
Walter Scott
Troy Gilbert
Stunts:
Pat Romano
Supervising Music Editor:
Steve Mccroskey
Supervising Sound Editor:
Bruce Stambler
John Stacy
Unit Production Manager:
Karen Koch
Writer:
John Hughes
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.