A work in constant progress (and occasional regress).
Release Date:
June 1, 1994
Original Title:
Les Patriotes
Alternate Titles:
The Patriots
Genres:
Crime | Drama
Production Companies:
Gaumont
Glem Production
Les Productions Lazennec
SFP
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 142
Ariel, a young French Jew, decides to leave his family to go to Israel and secretly become an agent of Mossad, the Israeli secret service. After years of training, his first mission is in Paris to steal secrets from Remy Prieur, a French atomic scientist.
Assistant Camera:
Yehuda Sar-Israel
Assistant Editor:
Laurence Briaud
Assistant Sound Editor:
Anne Klotz
Boom Operator:
Stéphane Thiébaut
Laurent Zeilig
Yohai Moshe
Camera Operator:
Moshe Levin
Casting:
Stéphane Touitou
Jennifer Shull
Conductor:
Guy Printemps
Costume Design:
Marie Malterre
Director:
Eric Rochant
Director of Photography:
Pierre Novion
Editor:
Pascale Fenouillet
First Assistant Camera:
Stéphane Cami
Joseph Zicherman
Blackford 'Boots' Shelton
First Assistant Director:
Paolo Trotta
Steve Apicella
Adi Arbel
Foley Artist:
Pascal Chauvin
Gaffer:
Murdoch Campbell
Jean-Claude Hamelin
Jean-Claude Neveu
Grip:
Gilles Rollot
Théo Louis Jean
Dionisis Spinopolos
Guy Bodas
Hugues Lefort
Micha Ben-Simhon
Mordi Boaz
Dave Kramer
Dean Citroni
Key Grip:
Gérard Bérardier
Georges Roblin
Shimon Sabach
Original Music Composer:
Gérard Torikian
Producer:
Alain Rocca
Production Design:
Thierry François
François Comtet
Production Manager:
Xavier Amblard
Screenplay:
Eric Rochant
Script Supervisor:
Olivia Bruynoghe
Second Assistant Camera:
Caroline Roussel
Thomas Lappin
Sound Editor:
Sylvie Gadmer
Sound Mixer:
Rick Angelella
Jean-Jacques Ferran
Sound Re-Recording Mixer:
Dominique Dalmasso
Steadicam Operator:
Bernard Wuthrich
Still Photographer:
Guy Ferrandis
Nicole de Castro
Jim Klebau
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.