Diary of a Mad Black Woman (2005) [PG-13]

Release Date:
February 25, 2005

Original Title:
Diary of a Mad Black Woman

Alternate Titles:
Das Ver-Rückte Tagbuch
Das verrueckte Tagbuch
Das verrückte Tagbuch
Diário de uma Louca
Madea, grand-mère justicière
Tyler Perry's Diary of a Mad Black Woman - The Movie

Genres:
Comedy | Drama | Romance

Production Companies:
BET Films
Diary of a Woman Inc.
Lionsgate
Reuben Cannon Productions
Tyler Perry Studios

Production Countries:
United States of America

Ratings / Certifications:
US: PG-13 

Runtime: 117

Time heals the heart. Faith heals the rest.

Charles, an attorney, and Helen, his devoted wife, seem to have everything – money, a beautiful mansion – the American Dream. However, as Helen prepares to celebrate their 18th wedding anniversary, her life takes an unexpected twist when she comes home to find her clothes packed up in a U-Haul van parked in the driveway. Charles is divorcing her and kicks her out. Helen moves in with her grandmother Madea, an old woman who doesn't take any lip from anyone. Madea helps Helen through these tough times by showing her what is really important in life. Helen is forced to rediscover love, life and religion in her pursuit for happiness.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

ADR Mixer:
Alan Freedman

ADR Voice Casting:
Barbara Harris

Art Department Coordinator:
Jeremy McGuire

Art Direction:
Robbie Bolick

Assistant Chief Lighting Technician:
Mike Robertson

Assistant Location Manager:
J. Bradley Smith
Ryan Schaetzle

Assistant Production Coordinator:
Jalyn Henton

Assistant Property Master:
Andrew Mark Leary

Assistant Sound Editor:
Jeana Lasser
Andrew Morgado
Cody King

Boom Operator:
Douglas L. Hill
Colt Logan

Casting:
Shay Bentley Griffin

Chief Lighting Technician:
David McLean

Clearances Coordinator:
Lisa Gooding

Co-Producer:
Mike Upton

Color Timer:
Dale E. Grahn

Conductor:
Yvette Devereaux

Costume Design:
Keith G. Lewis

Costume Supervisor:
Carol Sadler

Costumer:
Meta Moise Issa

Craft Service:
Ricardo 'Rico' Lozier

Creative Director:
Jarik Van Sluijs

Data Wrangler:
David Smithson

Digital Compositor:
Shaina Holmes
Steve Caldwell
R.J. Harbour
Lori C. Miller
Mary C. Snyder
Amani Williams

Director:
Darren Grant

Director of Photography:
David Claessen

Dolly Grip:
James 'Tripp' Pair III

Driver:
Chuck Graydon

Editor:
Terilyn A. Shropshire

Electrician:
Mark Miller
Chad Schroeder
Chris Antignane
Mark McKinney

Executive Producer:
Tyler Perry
Michael Paseornek

Executive Producer's Assistant:
Erika Bryant
Bree Bailey

Extras Casting:
Kelly Marshall

Extras Casting Assistant:
Gary McCoy

First Assistant Accountant:
Jackie Short

First Assistant Camera:
David Galbraith

First Assistant Director:
Roger M. Bobb

First Assistant Editor:
Kenneth Marsten

First Company Grip:
J. Wayne Parker

Foley Artist:
Shelley Roden

Foley Mixer:
Jeremy Balko

Greensman:
Dan Mott

Grip:
Jacob Ross
J. Christopher Campbell
Gary Oldknow
Ted Sapp
Pete Bowman
Mike Simmasouk

Hair Department Head:
Taylor Knight

Hairstylist:
Linda Thompson

I/O Manager:
Ryan Beadle

Key Hair Stylist:
Cynthia L. Chapman

Key Makeup Artist:
Patrice Coleman

Key Set Costumer:
Layne Brightwell

Leadman:
Alba Leone

Legal Services:
Mark S. Temple
Michael Morales
Tara A. Senior
David Albert Pierce

Line Producer:
Joseph P. Genier

Loader:
Josh Hancher
Trey Twitty
Barrett Pitner

Location Manager:
Mike Riley

Makeup Department Head:
Matiki Anoff

Music Editor:
Camara Kambon
Rick Aoyama

Music Supervisor:
Camara Kambon
Joel C. High

Musician:
Brien Andrews
Darrell Freeman
John Baker
Pat Bergeson
Greg Suran
Philip W. Gough
Yvette Devereaux
John Forbes
Elvin Ross

Orchestrator:
Elvin Ross

Original Music Composer:
Elvin Ross

Post Production Assistant:
Coral D'Alessandro
Ursula Camack
Christi Franck

Post Production Coordinator:
Mark W. McCoy
Jennifer Hwang

Post Production Supervisor:
Carl Pedregal

Producer:
Pamela B. Green
Reuben Cannon

Producer's Assistant:
Abbey Lessanu
Shandra L. McDonald

Production Accountant:
Bonnie Chaney

Production Assistant:
Chad Cork
Derrick Doose
Brian 'Bear' Lamar
Ernest Robinson
Ron Timmons
Shayne Allen Duhon
Regina Williams
Sekinah Brown
Chris Rosenwasser

Production Coordinator:
Katie Willard Troebs

Production Design:
Ina Mayhew

Production Secretary:
Edwanna Blanding

Production Supervisor:
Molly M. Mayeux

Property Master:
Kathleen Kasinger

Prosthetic Makeup Artist:
Bill 'Splat' Johnson

Scenic Artist:
Alisa Lumbreras

Scoring Mixer:
Brad Haehnel

Script Supervisor:
Gail Hunter

Second Assistant Camera:
Bruce Robinson
Malcolm A. Purnell

Second Assistant Director:
Roger Lee

Second Company Grip:
Mike Akins

Second Second Assistant Director:
Angi Bones

Set Decoration:
Joseph Litsch

Set Dresser:
Jaye Walker
Robert Tate Nichols
Larry Sauls
Lance Totten
George Spence
Christopher Didiot

Set Medic:
Suzanne L. Carter
Paul M. Lowe
Tom Allen

Sound Designer:
Jay Nierenberg

Sound Editor:
Bernard Weiser
Todd Niesen
Stuart Provine
Spencer Johnson

Sound Mixer:
Jim Hawkins
Jonathan Wales

Sound Re-Recording Mixer:
Jonathan Wales

Sound Supervisor:
Jay Nierenberg

Special Effects Coordinator:
David Beavis
Mack Chapman

Steadicam Operator:
David J. Thompson

Still Photographer:
Alfeo Dixon

Studio Teacher:
Rozanne Stark

Stunt Coordinator:
Gerard 'Gus' Williams

Stunt Double:
David Andrew Nash
Derrick Simmons
Michele Thompson

Telecine Colorist:
Martha Savelio

Thanks:
Maxine Waters

Theatre Play:
Tyler Perry

Transportation Captain:
J.L. Parker

Transportation Coordinator:
Cindy Parker

Unit Publicist:
Bo Shurling
Cynthia Todd

Utility Sound:
Colt Logan

Visual Effects Producer:
Michele Ferrone

Visual Effects Supervisor:
Mark Dornfeld

Wigmaker:
Monty Schuth
Daisy Curbeon

Writer:
Tyler Perry

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.