A work in constant progress (and occasional regress).
Release Date:
August 7, 1998
Original Title:
Safe Men
Alternate Titles:
Ladrões de Cofre
Genres:
Comedy | Crime
Production Companies:
Andell Entertainment
Blue Guitar Films
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 88
Two untalented singers are mistaken for a pair of major league safe crackers in Providence, Rhode Island. The two are pressed into service by the local hoodlums and quickly find themselves in conflict with their professional colleagues. Romantic interest is added by the daughter of the underworld leader who won't date the men she knows are gangsters.
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"B" Camera Operator:
Joe Arcidiacono
ADR Recordist:
Andy Kris
Additional First Assistant Camera:
Joia Speciale
Lloyd Handwerker
Additional Hairstylist:
Rita Da Silva
Additional Still Photographer:
Abigail Cohen
Jenny Carchman
Art Direction:
Ondine Karady
Assistant Costume Designer:
Pamela Kezal
Assistant Editor:
John Dicker
Assistant Sound Editor:
Jason Kaplan
Associate Producer:
Rain Kramer
Boom Operator:
David Pastecchi
Mike Decker
Casting:
Avy Kaufman
Casting Associate:
Julie Lichter
Color Timer:
Bob La Rossa
Continuity:
Nicole Petitpierre
Costume Design:
Catherine Marie Thomas
Director:
John Hamburg
Director of Photography:
Michael Barrett
Editor:
Suzanne Pillsbury
M. Scott Smith
Extras Casting:
Karen E. Etcoff
Susan Fried
First Assistant "B" Camera:
Antonio Rossi
First Assistant Camera:
Christopher B. Green
Steven Lubensky
First Assistant Director:
Rob York
Julian Petrillo
John M. Tyson
First Assistant Editor:
Lisa Cossettini
Sarah Brockhoff
First Assistant Sound Editor:
Samuel Webb
Foley Artist:
Dan O'Connell
Elizabeth Henderson
Foley Editor:
William Hooper
Dave Paterson
Foley Mixer:
John T. Cucci
Foley Recordist:
Stephen Altobello
Key Hair Stylist:
Kyra Panchenko
Key Makeup Artist:
Kyra Panchenko
Line Producer:
Eva Kolodner
Makeup & Hair Assistant:
Ariyela Wald-Cohain
Music Coordinator:
John Katovisch
Music Editor:
Johnny Caruso
Thomas S. Drescher
Music Supervisor:
Michelle Kuznetsky Silverman
Mary Ramos
Negative Cutter:
Sharon McGeeney
Original Music Composer:
Theodore Shapiro
Post Production Supervisor:
Doreen A. Dixon
Producer:
Ellen Bronfman
Jeffrey Clifford
Jonathan Cohen
Andrew Hauptman
Production Design:
Anthony Gasparro
Production Sound Mixer:
Coll Anderson
Second Assistant Camera:
Matthew W. Flannery
Melissa Soltis
Second Assistant Director:
Tom Grant
Second Second Assistant Director:
Brian Jude
Set Decoration:
James Clauer
Set Dresser:
Gretchen Gnaedinger
Sherief Elkatsha
Sound Designer:
Harry E. Snodgrass
Sound Editor:
Mary Ellen Porto
Sound Effects Editor:
Bob McNabb
Sound Mixer:
Andrew Edelman
Sound Re-Recording Mixer:
Michael C. Casper
Daniel J. Leahy
Steadicam Operator:
Peter S. Abraham
Still Photographer:
James Levine
Stunt Coordinator:
Manny Siverio
Supervising Sound Editor:
Richard LeGrand Jr.
Juan Carlos Martinez
Third Assistant Camera:
Scott Barnard
Unit Production Manager:
Katie Roumel
Wardrobe Assistant:
Lisa Grosso
Writer:
John Hamburg
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.