A work in constant progress (and occasional regress).
Release Date:
January 17, 1992
Original Title:
Juice
Alternate Titles:
Uma Questão de Respeito
哈雷兄弟
Genres:
Crime | Drama | Thriller
Production Companies:
Island World
Original Film
Paramount Pictures
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 NL: 12 US: R
Runtime: 96
Four Harlem friends -- Bishop, Q, Steel and Raheem -- dabble in petty crime, but they decide to go big by knocking off a convenience store. Bishop, the magnetic leader of the group, has the gun. But Q has different aspirations. He wants to be a DJ and happens to have a gig the night of the robbery. Unfortunately for him, Bishop isn't willing to take no for answer in a game where everything's for keeps.
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ADR Editor:
Bitty O'Sullivan-Smith
Harriet Fidlow
ADR Mixer:
Paul J. Zydel
ADR Recordist:
Michael J. Cerone
ADR Supervisor:
Lisa J. Levine
Additional Camera:
Michael Barry
Additional Hairstylist:
Carol 'Ci Ci' Campbell
Art Department Coordinator:
Jennifer M. Savoie
Assistant Camera:
Nate Ranger
Assistant Costume Designer:
Sandra Hernandez
Assistant Production Manager:
Debra D. Jeffreys
Assistant Property Master:
William Butler
Associate Producer:
Ralph McDaniels
James Bigwood
Gerard Brown
Best Boy Electric:
Robby Baumgartner
Boom Operator:
John Fundus
Camera Operator:
Phil Oetiker
Camera Trainee:
Paige Thomas
Carpenter:
Timothy Main
Walter Blake
Casting:
Jaki Brown
Charge Scenic Artist:
Teresa Mastropierro
Co-Producer:
Preston L. Holmes
Construction Coordinator:
Addison Pettit
Costume Design:
Donna Berwick
Director:
Ernest R. Dickerson
Director of Photography:
Larry Banks
Dolly Grip:
John Pirozzi
Draughtsman:
Daniel Talpers
Diann Duthie
Driver:
Patrick Hogan
Editor:
Brunilda Torres
Sam Pollard
Electrician:
Eric Leigh
Extras Casting:
Elloise Dover
Winsome Sinclair
First Assistant Camera:
Crystal Griffith
First Assistant Director:
Randy Fletcher
Foley Artist:
Nancy Cabrera
Linda Russo
Foley Mixer:
Paul J. Zydel
Foley Recordist:
Michael J. Cerone
Gaffer:
Andre Banks
Lance E. Phox
Graphic Designer:
Edward A. Ioffreda
Grip:
Lamont Crawford
Marcus Turner
Hairstylist:
Larry M. Cherry
Key Grip:
James McMillan
Leadman:
Gus Papadopoulos
Location Casting:
Sharon D. King
Location Manager:
Dale Watkins
Makeup Artist:
Matiki Anoff
Joe Cuervo
Music Editor:
James Flatto
Music Supervisor:
Kathy Nelson
Original Music Composer:
Hank Shocklee
The Bomb Squad
Playback Coordinator:
Rosa Howell-Thornhill
Post Production Supervisor:
Kerry Orent
Producer:
Neal H. Moritz
Peter Frankfurt
David Heyman
Production Assistant:
Sarah Gyllenstierna
Julia Morgan
Production Design:
Lester Cohen
Production Executive:
John E. Ferraro
Production Manager:
Fred Styles
Brent Owens
Production Sound Mixer:
Frank Stettner
Property Master:
Kevin Ladson
Props:
Anthony Baldasare
Scenic Artist:
Kim Meinelt
Yvonne Smith
Score Engineer:
James P. Nichols
Screenplay:
Gerard Brown
Ernest R. Dickerson
Script Supervisor:
Shari L. Carpenter
Second Assistant Camera:
Peter Sillen
Floyd A.B. Rance III
Second Assistant Director:
H.H. Cooper
Second Second Assistant Director:
Kia Puriefoy
Dale Pierce-Johnson
Dale M. Nielsen
Set Decoration:
Alyssa Winter
Set Dresser:
Joel Barkow
Elizabeth DeLuna
Mitch Towse
Keith Wall
Sound Editor:
Raymond Karpicki
Beriau Picard
Sound Effects Editor:
Wendy Hedin
Sound Re-Recording Mixer:
Rick Dior
Special Effects:
Edward Drohan III
Edward Drohan IV
Still Photographer:
Adger W. Cowans
Story:
Ernest R. Dickerson
Stunt Coordinator:
Jeff Ward
Stunts:
Michael Russo
Chuck Jeffreys
John Patrick McLaughlin
Jery Hewitt
Norman Douglass
Gregg Smrz
Bill Anagnos
David S. Lomax
Supervising Sound Editor:
Wendy Hedin
Video Assist Operator:
Joseph Trammell
Weapons Master:
Rick Washburn
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.