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White Nights (1985) [PG-13]

Release Date:
November 22, 1985

Original Title:
White Nights

Alternate Titles:
Bílé noci
il Sole a Mezzanotte
白夜
白夜逃亡

Genres:
Drama | Thriller

Production Companies:
Columbia Pictures
New Visions

Production Countries:
United States of America

Ratings / Certifications:
CZ: 18+  JP: G  US: PG-13 

Runtime: 136

Two men. Not soldiers. Not heroes. Just dancers. Willing to risk their lives for freedom-and each other.

Overview from TheMovieDB

After his plane crashes in Siberia, a Russian dancer, who defected to the West, is held prisoner in the Soviet Union. The KGB keeps him under watch and tries to convince him to become a dancer for the Kirov Academy of Ballet again. Determined to escape, he befriends a black American expatriate and his pregnant Russian wife, who agree to help him escape to the American Embassy.

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Performers

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Production

ADR Editor:
Jay Kamen

Accountant:
Gerald C. Wheatley

Additional Photography:
Kenneth J. Withers
John Harris

Additional Writing:
Nancy Dowd

Aerial Camera:
Gregory J. Schmidt

Aerial Coordinator:
Jeff Hawke

Aerial Director of Photography:
Frank M. Holgate

Art Direction:
Richard Dawking
Malcolm Middleton
Austen Spriggs

Assistant Art Director:
Stuart Rose

Assistant Director:
Ray Corbett
Matti Ollila
José de Sá Caetano

Assistant Editor:
Rick Meyer
Valerie Lesser
Peter Culverwell
Karl F. Steinkamp

Associate Editor:
Deveril Goodman

Associate Producer:
Bill Borden

Best Boy Electric:
Alan Barry

Boom Operator:
Dushko Indjic

Camera Operator:
Freddie Cooper

Casting:
Nancy Klopper
Jeremy Zimmermann
Noel Davis

Chief Lighting Technician:
Maurice Gillett

Choreographer:
Roland Petit
Twyla Tharp
Mikhail Baryshnikov

Clapper Loader:
Shane O'Neill

Color Timer:
Ron Lambert

Construction Manager:
Syd Nightingale

Continuity:
Lissa Ruben
Harold Michelson

Costume Design:
Evangeline Harrison

Director:
Taylor Hackford

Director of Photography:
David Watkin

Editor:
Fredric Steinkamp
William Steinkamp

Executive In Charge Of Production:
Denis Holt

Focus Puller:
Mike Connors

Grip:
Ray Hall

Hairdresser:
Barry Richardson

Location Casting:
Paula Gilmore

Location Manager:
Peter Elford
Bernard Hanson

Makeup Artist:
Neville Smallwood
Madeleine Masters

Music Consultant:
Jules Chaikin

Music Supervisor:
Phil Ramone

Original Music Composer:
Michel Colombier

Playback Coordinator:
Trevor Rutherford

Producer:
William S. Gilmore
Taylor Hackford

Production Assistant:
Carrie Stein
Jeff Conroy

Production Coordinator:
Mo Coppitters
Johanna Kärävä

Production Design:
Philip Harrison

Production Manager:
Neville C. Thompson
Anja Harjula
Maria do Carmo Moser

Projection:
Roy Moores

Property Master:
George Ball

Screenplay:
James Goldman
Eric Hughes

Second Assistant Director:
Kieron Phipps

Set Decoration:
Joanne Woollard

Songs:
Lionel Richie
Phil Collins

Sound Editor:
Don S. Walden
Joseph Holsen

Sound Mixer:
Clive Winter

Sound Re-Recording Mixer:
Robert Knudson
Robert Glass
Don Digirolamo

Special Effects:
Martin Gutteridge
Ian Wingrove
Garth Inns

Standby Carpenter:
Leslie Butterfield

Standby Painter:
Bill Fisher

Standby Property Master:
Dennis Hopperton
Peter Benson

Standby Rigger:
Mel Sansom

Still Photographer:
Murray Close

Story:
James Goldman

Stunt Coordinator:
Peter Brayham

Stunts:
Malcolm Weaver
Helen Caldwell
Robert Harman
Steve Crawley
Romo Gorrara
Dave Holland

Supervising ADR Editor:
Doreen A. Dixon

Supervising Music Editor:
Curt Sobel

Supervising Sound Editor:
Tom McCarthy Jr.

Third Assistant Director:
Tony Aherne

Title Designer:
Dan Perri

Unit Manager:
Juhani Jotuni

Video Assist Operator:
Bob Bridges

Wardrobe Assistant:
Ken Crouch

Wardrobe Master:
Janet Tebrooke

Wardrobe Supervisor:
Ron Beck

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.