A work in constant progress (and occasional regress).
Release Date:
June 1, 1979
Original Title:
Nocturna
Alternate Titles:
Draculas erotische Abenteuer
Nocturna - Ein zärtlicher Alptraum
Nocturna Granddaughter of Dracula
Unsichtbare Dämonen
Unsichtbare Dämonen - Draculas erotische Abenteuer
Genres:
Comedy | Horror | Music
Production Companies:
Compass International Pictures
Nai Bonet Enterprises
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 US: R
Runtime: 85
Hard times have fallen on the Transylvanian House of Dracula. To help pay the taxes, Castle Dracula has been converted into the Hotel Transylvania. Dracula himself is aging and toothless, being cared for by his granddaughter Nocturna. When Nocturna books a disco group to play The Claret Room and winds up falling in love with one of the backup guitarists, a mortal named Jimmy, she notices that she is able to see her reflection when she dances, so she decides to follow Jimmy to New York in search of mortality.
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Animation:
Bob Le Bar
Art Direction:
Steve Davita
Jack Krueger
Best Boy Electric:
Craig Nelson
Boom Operator:
Anthony Santa Croce
Costumer:
Laura Bonet
Director:
Harry Hurwitz
Director of Photography:
Mac Ahlberg
Editor:
Ian Maitland
Executive Producer:
Irwin Yablans
First Assistant Camera:
David Schmier
Gaffer:
Stefan Czapsky
Hairstylist:
Vinnie LoBrutto
Key Grip:
Robert K. Feldmann
Jeffrey Sudzin
Makeup Artist:
Pamela Jenrette
Gigi Williams
Music Arranger:
Reid Whitelaw
Norman Bergen
Orchestrator:
Norman Bergen
Original Music Composer:
Reid Whitelaw
Norman Bergen
Producer:
Vernon P. Becker
Nai Bonet
Production Manager:
David L. Wolfson
Screenplay:
Harry Hurwitz
Script Supervisor:
Joan Puma
Second Assistant Camera:
David Boyd
Sound Mixer:
Jack Higgins
Sound Recordist:
Joel Goldsmith
Still Photographer:
Robert Harmon
Story:
Nai Bonet
Wardrobe Supervisor:
Ellen Lutter
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.