Home

Resident Evil: Apocalypse (2004) [R]

Release Date:
September 10, 2004

Original Title:
Resident Evil: Apocalypse

Alternate Titles:
Biohazard II: Apocalypse
Obitel' zla 2: Apokalipsis
Oselia zla 2: Apokalipsys
Pritajeno zlo - Apokalipsa
Resident Evil 2
Resident Evil 2 - Apocalypse
Resident Evil 2 - Apocalipse
Resident Evil 2 - Apocalypse
Resident Evil 2 - Apocolypse
Resident Evil 2: Apocalipsis
Resident Evil 2: Apocalypse
Resident Evil Apocalypse Extended
Resident Evil II - Apocalypse
Resident Evil. Apocalypse
Resident Evil: Apokálypsi
Resident Evil：Apocalypse
Zarazno zlo: Apokalipsis
Оселя зла 2: Апокаліпсис
生化危機2：殲滅生還者
레지던트 이블 2
레지던트 이블 2-아포칼립스
레지던트 이블 2: 아포칼립스

Genres:
Action | Horror | Science Fiction

Production Companies:
Constantin Film
Davis Films/Impact Pictures
Screen Gems

Production Countries:
Canada | United Kingdom | United States of America

Ratings / Certifications:
AU: M  BG: D  BR: 16  CZ: 15  DE: 18  ES: 18  FR: 12  GB: 15  HU: 16  IE: 15  IT: T  KR: 18  NL: 16  NO: 15  PL: 16  SE: 15  SK: 15  TW: 輔12  UA: 18+  US: R 

Runtime: 94

The evil continues...

Overview from TheMovieDB

As the city is locked down under quarantine, Alice finds out that the people that died from the previous incident at the Umbrella Corporation have turned into zombies. She then joins a small band of elite soldiers, who are enlisted to rescue the missing daughter of the creator of the mutating T-virus. Once lack of luck and resources happen, they begin to wage an exhilarating battle to survive and escape before the Umbrella Corporation erases its experiment from the face of the earth.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Teaser

Clip

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

3D Animator:
Brian Anderson

3D Artist:
Jean-Louis Billard

3D Modeller:
Emily Cobb

3D Supervisor:
Conrad Dueck

ADR Editor:
Stephen Barden

ADR Mixer:
Adam Sharpe

ADR Recordist:
Matthew McKenzie

Accountant:
Ann Fitzgerald

Additional Music:
Elia Cmiral

Aerial Camera:
Clyde Miller

Aerial Coordinator:
Shelley Cook

Armorer:
Charles Taylor

Art Direction:
Nigel Churcher
Fabian Jonathan

Assistant Accountant:
Anthony Valenti

Assistant Art Director:
David G. Fremlin

Assistant Camera:
Murat Akser

Assistant Director:
Alan Goluboff

Assistant Foley Artist:
Gina Gyles

Assistant Location Manager:
Drazen Baric

Assistant Makeup Artist:
Lorraine Greenwood

Assistant Production Coordinator:
Darron Leiren-Young
Baron Evans

Assistant Production Manager:
Ian Maxwell

Associate Producer:
Daniel S. Kletzky
Hiroyuki Kobayashi

Best Boy Electric:
John O'Boyle

Best Boy Grip:
Nick Bacon

Boom Operator:
Denis Bellingham

CG Animator:
Mark Palowich

CG Artist:
Karl Sisson

CG Supervisor:
Shawney Cohen

Camera Loader:
Renée Pilgrim

Camera Operator:
Roberto W. Contreras D.

Casting:
Tina Gerussi

Casting Assistant:
Roberta Romano

Casting Consultant:
Robyn Ray

Choreographer:
Sharon Moore
Derek Aasland

Clapper Loader:
Craig Cooper

Colorist:
Adam Glasman

Compositing Supervisor:
Noel Hooper

Concept Artist:
Barton Rendulic

Conductor:
Nicholas Dodd

Construction Coordinator:
Kirk Cheney

Continuity:
Liza Vespi

Costume Design:
Mary E. McLeod

Costume Illustrator:
Madeline Brian

Costume Set Supervisor:
Elayne Alexander

Craft Service:
Simone Lindo

Dialect Coach:
Julie Adams

Dialogue Coach:
Miriam Laurence

Digital Compositor:
Jody Johnson

Digital Compositors:
Barb Benoit

Digital Effects Supervisor:
Kyle Menzies

Digital Intermediate:
Claire McGrane

Director:
Alexander Witt

Director of Photography:
Derek Rogers
Christian Sebaldt

Dolly Grip:
Thomas Care

Driver:
John Coles

Editor:
Eddie Hamilton

Electrician:
Kevin Barnes

Executive Producer:
Bernd Eichinger
Samuel Hadida
Victor Hadida
Robert Kulzer
Martin Moszkowicz

Extras Casting:
Jane Rogers

Extras Casting Assistant:
Dylaine Bovaird

First Assistant Accountant:
Hope White

First Assistant Camera:
Tony Magaletta

First Assistant Director:
Pierre Henry

First Assistant Sound Editor:
Alex Bullick

Foley Artist:
Steve Baine

Foley Recordist:
Peter Persaud

Gaffer:
Kevin Alanthwaite

Grip:
Randy Burbidge

Head Carpenter:
Ian Fraser

Head Driver:
Paul Marshall

Key Accountant:
James F. Breithaupt

Key Costumer:
Adam Smith

Key Grip:
Monty Montgomerie

Key Hair Stylist:
Teresa Buccione

Key Makeup Artist:
Marie Nardella

Key Rigging Grip:
Pete Daprato

Key Special Effects:
Skyler Wilson

Lighting Artist:
Alex Murtaza

Line Producer:
Dennis Chapman

Location Manager:
Jonathan Matthews

Location Production Assistant:
Fernando DaSilva

Location Scout:
Philip Spurvey

Makeup Effects:
Dave Axford

Makeup Effects Designer:
Paul Jones

Music Editor:
Tony Lewis

Music Score Producer:
Jeff Danna

Music Supervisor:
Liz Gallacher

Musician:
Russ Miller

Negative Cutter:
Tom Mayclim

Orchestrator:
Nicholas Dodd

Original Music Composer:
Jeff Danna

Painter:
Stephen Paisley

Pilot:
Guillaume Carpentier

Playback Coordinator:
Kris Wood

Post Production Coordinator:
Lorraine Samuel

Post Production Supervisor:
Gregor Hutchison

Producer:
Paul W. S. Anderson
Jeremy Bolt
Don Carmody

Production Assistant:
David McElroy

Production Coordinator:
Kimberley Bradley

Production Design:
Paul D. Austerberry

Production Executive:
Jan Hogevold

Production Manager:
Nan Skiba

Production Secretary:
Jillian Sabean

Pyrotechnician:
Tom Blacklock

Researcher:
Chris Ellefson

Rigging Gaffer:
Ian Foulds

Rigging Grip:
Tracy Shaw

Scenic Artist:
Matthew Lammerich

Script Supervisor:
Carol Pears

Sculptor:
Martin L. Mercer

Second Assistant Art Director:
Matt Middleton

Second Assistant Camera:
Deanna Cadette

Second Assistant Director:
Grant Lucibello

Second Assistant Sound:
Rose Gregoris

Second Unit Cinematographer:
John Jay Hebert

Second Unit Director:
Spiro Razatos

Sequence Supervisor:
Rick Leary

Set Decoration:
Steven Essam

Set Designer:
Mayumi Konishi-Valentine

Set Dresser:
Nick Fischer

Set Medic:
Steve Holt

Set Supervisor:
Monica Wier

Software Engineer:
John Charles

Sound Designer:
Craig Henighan

Sound Editor:
Kevin Banks

Sound Effects Editor:
Nathan Robitaille

Sound Re-Recording Mixer:
Todd Beckett

Special Effects Assistant:
Rocco Larizza

Special Effects Technician:
Joel Crimi

Steadicam Operator:
Sean Jensen

Still Photographer:
Rolf Konow

Story Editor:
Monica Sandstede

Storyboard:
Rob McCallum

Storyboard Artist:
Temple Clark

Stunt Coordinator:
Steve Lucescu

Stunts:
Nick Alachiotis
Alicia Turner
Melissa R. Stubbs
Mary Ann Stevens
Vanessa Reid
Cheryl Quiacos
Patrizia Quas
Sue Parker
Isolde O'Neill
Janet Morin
Stéphane Lefebvre
Joanne Leach
Kym Kristalie
Catherine Gourdier
Monique Ganderton
Megan Fahlenbock
Maxine Dumont
Taryn Ash
Jean Frenette
Branko Racki

Supervising Sound Editor:
Craig Henighan

Systems Administrators & Support:
Vladimir Popovic

Third Assistant Director:
Cameron Kuc

Title Designer:
Glyn Tebbutt

Travel Coordinator:
Tami Thomson

Unit Publicist:
Joel Green

Utility Stunts:
Joel Harris

Video Assist Operator:
Anthony Nocera

Visual Effects:
Steve Parsons

Visual Effects Compositor:
Barb Benoit

Visual Effects Coordinator:
Sarah McMurdo

Visual Effects Editor:
Sue Len Quon
Jennifer Wood

Visual Effects Producer:
Mark Halsall

Visual Effects Production Assistant:
Patrick White

Visual Effects Production Manager:
Carl Beyer

Visual Effects Supervisor:
Dennis Berardi

Writer:
Paul W. S. Anderson

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.