A work in constant progress (and occasional regress).
Release Date:
February 12, 1982
Original Title:
Missing
Alternate Titles:
Desaparecido
Desaparecido - Um Grande Mistério
Missing, Porté disparu
Porté disparu
miising, porté disparu
Genres:
Drama | Mystery | Thriller
Production Companies:
Polygram Pictures
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: e 14 DE: 12 FR: 12 GB: 15 NL: 12 PT: e 14 US: PG
Runtime: 123
Based on the real-life experiences of Ed Horman. A conservative American businessman travels to Chile to investigate the sudden disappearance of his son after a military takeover. Accompanied by his son's wife he uncovers a trail of cover-ups that implicate the US State department which supports the dictatorship.
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Additional Music:
Dan Wyman
Additional Writing:
John Nichols
Art Direction:
Lucero Isaac
Agustín Ituarte
Assistant Editor:
Suzanne Koch
Marie Castro
Associate Producer:
Terence Nelson
Book:
Thomas Hauser
Boom Operator:
Stephane Van den Bergh
Camera Operator:
Philippe Brun
Casting:
Wallis Nicita
Costume Design:
Joe I. Tompkins
Costume Supervisor:
Pamela Wise
Director:
Costa-Gavras
Director of Photography:
Ricardo Aronovich
Editor:
Françoise Bonnot
Executive Producer:
Jon Peters
Peter Guber
First Assistant Director:
Elie Cohn
Hairdresser:
Bette Iverson
Esperanza Gómez
Key Grip:
Graciano Perez
Makeup Artist:
Mark Reedall
Original Music Composer:
Vangelis
Producer:
Edward Lewis
Mildred Lewis
Production Design:
Peter Jamison
Property Master:
Antonio Mata
Michael Milgrom
Screenplay:
Costa-Gavras
Donald Stewart
Second Assistant Director:
Anna Roth
Set Decoration:
Linda Spheeris
Sound Editor:
Daniel Brisseau
Sound Effects:
Jean-Pierre Lelong
Sound Effects Editor:
Michèle Boëhm
Sound Mixer:
José García
Still Photographer:
Peter Sorel
Visual Effects:
Albert Whitlock
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.