A work in constant progress (and occasional regress).
Release Date:
May 27, 1997
Original Title:
The Killing Jar
Genres:
Drama | Thriller
Production Companies:
Paragon Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 101
Michael Sanford and his wife move to his old town so he can take over the family business. However, gruesome murders of children start to happen. Meanwhile, Michael starts to become slowly insane, after he may have witnessed one of the murders and reports it to the police. Is he the murderer, or is it something of his past?
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ADR Editor:
Kerri Wilson
ADR Recordist:
Kerri Wilson
Additional Editor:
Lisa Mozden
Additional First Assistant Camera:
David Goldenberg
Additional Script Supervisor:
Karen Eachus
Additional Second Assistant Camera:
Robert A. Saliamonas
Assistant Editor:
Bart Lewis
Suzie Wardell
Susan Demskey-Horiuchi
Thor Gold
Assistant Hairstylist:
Kristina Vogel
Assistant Makeup Artist:
Kristina Vogel
Elisabeth Fry
Assistant Production Coordinator:
Breck A. Graham
Assistant Property Master:
Robert Scott Kyker
Paul Murray
Best Boy Electric:
Christopher A. Cash
Best Boy Grip:
Robert W. McCarty
Boom Operator:
Steve Sollars
Jean-Paul De La Houssaye
David Cook
Camera Loader:
Eric Stone
Camera Operator:
Michael Gallagher
Casting:
Julie Ashton
Co-Producer:
Jason Saffran
Evan Crooke
Construction Coordinator:
Ray Dorn
Construction Foreman:
Robert Rincon
Costume Designer:
Jocelyn F. Wright
Dialogue Editor:
Bruce Greenspan
Director:
Evan Crooke
Director of Photography:
Michael G. Wojciechowski
Dolby Consultant:
Thom 'Coach' Ehle
Dolly Grip:
David Holt Jr.
Nancy Wray
Editor:
Frederick Wardell
Electrician:
Kyle Davis
Thoma Reavis
Peyton Skelton
T.L. Horsley
Craig Price
Michael Colbert
Erik Butters
Ronn Hill
Anthony Q. Palmer
Mark Wojciechowski
Bill Petty
Executive Producer:
Stanley T. Crooke
Extras Casting:
Rich King
Laralyn Martin
First Assistant Accountant:
Gayle Slade
First Assistant Camera:
Mark Strasburg
Cynthia Pusheck
John Sekula
First Assistant Director:
Jay Lehrfeld
Douglas Aarniokoski
Foley Artist:
Paul Holzborn
John Post
Foley Recordist:
Ed Carr
Gaffer:
David Pierro
George Maxwell
Grip:
Derek Jensen
Phil Heath
Thomas A. Curran
Robert Oliva
Vadim Diambekov
Sergio Gutierrez
Key Grip:
Tom Skulski
Key Hair Stylist:
Judy Yonemoto
Key Makeup Artist:
Judy Yonemoto
Leadman:
Charles Durden
Location Manager:
Steven F. Hasson
Makeup Effects Designer:
Randy Westgate
Negative Cutter:
Sally Dixon
On Set Dresser:
Fred M. Ortiz
Original Music Composer:
David C. Williams
Producer:
Shelly Strong
Production Accountant:
Betsy Mackey
Production Coordinator:
Linda Warrilow
Production Design:
Don Day
Property Master:
Justin McCartney
Scenic Artist:
Mike McCloskey
Denise Damer
Script Supervisor:
Jesse Long
Second Assistant Camera:
Richard James Hughes
Chrystina Worth
Megan Sinclair
Warren Feldman
Second Assistant Director:
Francesca Iorillo
David Rimer
Second Second Assistant Director:
Alison Engel
Kelly O'Brien
Second Unit Director:
Rawn Hutchinson
Second Unit Director of Photography:
Michael Gallagher
Richard Clabaugh
Second Unit First Assistant Director:
Francesca Iorillo
Brian Bettwy
Set Decoration:
Joanne Baker
Sound Editor:
Scott A. Jennings
Sound Effects Editor:
Don Gooch
Lawrence W. Wendelken
Sound Mixer:
Srđan Popović
William Fiege
David Waelder
Sound Re-Recording Assistant:
Bryan Arenas
Sound Re-Recording Mixer:
Paul Ratajczak
Kurt Kassulke
Sound Supervisor:
Paul Ratajczak
Special Effects Makeup Artist:
James Conrad
Jeff Scott
Special Effects Supervisor:
Larry Fioritto
Stand In:
Randon Lo
Michel Euliss
Steadicam Operator:
Keith Jordan
Marcis Cole
Still Photographer:
Dan Zaitz
Storyboard Artist:
Gary Callahan
Steve Cruz
Stunt Coordinator:
Rawn Hutchinson
Stunt Double:
Chris Nielsen
Stunts:
Terry James
Anthony T. Pennello
Michelle Sebek
Mary Torres
Swing:
Larry Dahlstrom
Joseph Moore
Transportation Captain:
Dennis Coleman
Transportation Coordinator:
Sam McCutchen
Glenn Knowlton
Unit Production Manager:
Leigh Shanta
Wardrobe Assistant:
Hilary Lawson
Wardrobe Supervisor:
Lee Walmsley
Writer:
Mark Mullin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.