A work in constant progress (and occasional regress).
Release Date:
June 6, 2023
Original Title:
Sós
Ratings / Certifications:
BR: 12
Runtime: 20
Arthur, a young aspiring digital influencer, dreams of becoming an internet sensation. With his friend, Fábio, they decide to embark on a search for the whereabouts of a missing schoolmate. Armed only with their cameras, they record every detail of this intense journey, while confronting their own fears and discovering that true success may be closer than they imagine.
Art Department Assistant:
Augusto Ferreira
Art Direction:
Welliton Alencar
Assistant Camera:
Júlia Mota
Felipe Rocha
Geraldo Tavares
Maru Paz
Assistant Director:
Thiago Henrique Ferreira
Jean Guilherme
BTS Photographer:
Marlla Cruz
Boom Operator:
Sebastian Dantas
Camera Operator:
Felipe Rocha
Cinematography:
Karla Guimarães
Colorist:
Victor Moura
Continuity:
Jean Guilherme
Costumer:
Elcio Lima
Denize Ramos
Director:
Welliton Alencar
Director of Photography:
Karla Guimarães
Editor:
Ângelo Sousa
Executive Producer:
Welliton Alencar
Karla Guimarães
Executive Producer's Assistant:
Eduardo Flávio Bandeira
Makeup & Hair:
Kedma Castro
Rafael Bernardo
Marlla Cruz
Production Assistant:
Geraldo Tavares
Production Director:
Karla Guimarães
Set Decoration:
Elcio Lima
Sound Director:
Leon Ribeiro
Sound Mixer:
Ignacio San Martin Araya
Storyboard Artist:
Maru Paz
Emilly Rodrigues
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.