A work in constant progress (and occasional regress).
Release Date:
July 31, 1987
Original Title:
The Lost Boys
Alternate Titles:
De fortapte
Izgubljeni dečaci
Izgubljeni dječaci
Jóvenes del mal
Kayip Çocuklar
La generación perdida
Los irremediables
Los muchachos perdidos
Pazudušie zēni
Que no se entere mamá
Straceni chlopcy
Ta paidia tis nyhtas
İtmiş Gənclər
Изгубените момчета
Genres:
Comedy | Horror | Thriller
Production Companies:
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CA: 14A DE: 16 ES: 12 FR: TP GB: 15 GR: 15 IE: 18 JP: PG12 NL: 16 US: R
Runtime: 97
When an unsuspecting town newcomer is drawn to local blood fiends, the Frog brothers and other unlikely heroes gear up to rescue him.
ADR Editor:
Alan L. Nineberg
Art Direction:
Tom Duffield
Assistant Editor:
Tracy Granger
Tracey McCampbell
Jim Prior
Assistant Property Master:
Anne Sidaris-Reeves
Best Boy Electrician:
Benny McNulty
Boom Operator:
Robert Crosby
Camera Operator:
Eric D. Andersen
Michael Genne
Michael D. O'Shea
Peter Salim
Casting:
Marion Dougherty
Co-Executive Producer:
Mark Damon
John W. Hyde
Construction Coordinator:
Michael J. Smith
Construction Foreman:
Ray Chambers
Costume Design:
Susan Becker
Costume Supervisor:
Robert Chase
Rosemarie Fall
Jerry Herrin
Director:
Joel Schumacher
Director of Photography:
Michael Chapman
Dolly Grip:
Sandy Williams
Editor:
Robert Brown
Executive Producer:
Richard Donner
First Assistant Camera:
Kim Guthrie
Bill Roe
First Assistant Director:
William S. Beasley
Gaffer:
Leslie J. Kovacs
Hairstylist:
Dino Ganziano
KG Ramsey
Key Grip:
Gene Kearney
Leadman:
Cheryl Carasik
Makeup Artist:
Ve Neill
Steve LaPorte
Music Editor:
Kenneth Karman
Original Music Composer:
Thomas Newman
Pilot:
Ross Reynolds
Producer:
Harvey Bernhard
Production Accountant:
Gail Martin-Sheridan
Production Design:
Bo Welch
Production Manager:
William L. Young
Production Secretary:
Ilyse Selwyn
Sheila A. Warner
Property Master:
William A. Petrotta
Prosthetics:
Greg Cannom
Rigging Gaffer:
Michael W. Blymyer
Screenplay:
Janice Fischer
James Jeremias
Jeffrey Boam
Script Supervisor:
Jan Kemper
Second Assistant Camera:
Larry Hezzelwood
Second Assistant Director:
Eric Jewett
Second Second Assistant Director:
Jennifer Kingry
Second Unit Director:
M. James Arnett
Second Unit Director of Photography:
Paul Goldsmith
Second Unit First Assistant Director:
Patrick A. Duffy
Set Decoration:
R. Chris Westlund
Set Designer:
John Warnke
Sound Editor:
Jeff Bushelman
Larry Carow
Richard C. Franklin
Chuck Neely
Sound Mixer:
David M. Ronne
Sound Re-Recording Mixer:
Rick Alexander
Les Fresholtz
Vern Poore
Special Effects:
Donald Elliott
Sam Marquez
Tim Moran
Doyle Smiley
Bob Stoker
Lucinda Strub
Richard Stutsman
Fred Tassaro
Mike Wever
D. Kerry Prior
Tony Gardner
Special Effects Coordinator:
Matt Sweeney
Still Photographer:
Jane O'Neal
Stunt Coordinator:
Gary Davis
Stunts:
Vicky Benson
Sandy Berumen
May Boss
Christopher Bowman
Janet Brady
David Burton
Jodie Mae Caldwell
Doc D. Charbonneau
Monty Cox
Scott Dockstader
Bill Erickson
Bruce Gattenbein
Sandra Lee Gimpel
Jeff Habberstad
Randy Hall
Steve Holladay
Madonna Joy
Kim Robert Koscki
David LeBell
Gene LeBell
John C. Meier
Larry Nicholas
William R. Perry
Chuck Picerni Jr.
Dan Plum
Bernie Pock
Pat Romano
Dennis Scott
Ceci Vendrell
Jack West
Scott Wilder
Spice Williams-Crosby
Supervising ADR Editor:
Larry Singer
Supervising Sound Editor:
Charles L. Campbell
Louis L. Edemann
Theme Song Performance:
Lou Gramm
Title Designer:
Anthony Goldschmidt
Unit Publicist:
Phyllis Gardner Hirsen
Visual Effects Designer:
Eric Brevig
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.