A work in constant progress (and occasional regress).
Release Date:
July 31, 1987
Original Title:
The Lost Boys
Alternate Titles:
De fortapte
Izgubljeni dečaci
Izgubljeni dječaci
Jóvenes del mal
Kayip Çocuklar
La generación perdida
Los irremediables
Los muchachos perdidos
Pazudušie zēni
Que no se entere mamá
Straceni chlopcy
Ta paidia tis nyhtas
İtmiş Gənclər
Изгубените момчета
Genres:
Comedy | Horror | Thriller
Production Companies:
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CA: 14A DE: 16 DK: 15 ES: 12 FR: TP GB: 15 GR: 15 IE: 18 JP: PG12 NL: 16 SE: 15 US: R
Runtime: 97
When an unsuspecting town newcomer is drawn to local blood fiends, the Frog brothers and other unlikely heroes gear up to rescue him.
ADR Editor:
Alan L. Nineberg
Art Direction:
Tom Duffield
Assistant Editor:
Tracy Granger
Jim Prior
Tracey McCampbell
Assistant Property Master:
Anne Sidaris-Reeves
Best Boy Electrician:
Benny McNulty
Boom Operator:
Robert Crosby
Camera Operator:
Michael Genne
Michael D. O'Shea
Peter Salim
Eric D. Andersen
Casting:
Marion Dougherty
Co-Executive Producer:
John W. Hyde
Mark Damon
Construction Coordinator:
Michael J. Smith
Construction Foreman:
Ray Chambers
Costume Design:
Susan Becker
Costume Supervisor:
Robert Chase
Rosemarie Fall
Jerry Herrin
Director:
Joel Schumacher
Director of Photography:
Michael Chapman
Dolly Grip:
Sandy Williams
Editor:
Robert Brown
Executive Producer:
Richard Donner
First Assistant Camera:
Bill Roe
Kim Guthrie
First Assistant Director:
William S. Beasley
Gaffer:
Leslie J. Kovacs
Hairstylist:
Dino Ganziano
KG Ramsey
Key Grip:
Gene Kearney
Leadman:
Cheryl Carasik
Makeup Artist:
Ve Neill
Steve LaPorte
Music Editor:
Kenneth Karman
Original Music Composer:
Thomas Newman
Pilot:
Ross Reynolds
Producer:
Harvey Bernhard
Production Accountant:
Gail Martin-Sheridan
Production Design:
Bo Welch
Production Manager:
William L. Young
Production Secretary:
Sheila A. Warner
Ilyse Selwyn
Property Master:
William A. Petrotta
Prosthetics:
Greg Cannom
Rigging Gaffer:
Michael W. Blymyer
Screenplay:
James Jeremias
Janice Fischer
Jeffrey Boam
Script Supervisor:
Jan Kemper
Second Assistant Camera:
Larry Hezzelwood
Second Assistant Director:
Eric Jewett
Second Second Assistant Director:
Jennifer Kingry
Second Unit Director:
M. James Arnett
Second Unit Director of Photography:
Paul Goldsmith
Second Unit First Assistant Director:
Patrick A. Duffy
Set Decoration:
R. Chris Westlund
Set Designer:
John Warnke
Sound Editor:
Richard C. Franklin
Jeff Bushelman
Larry Carow
Chuck Neely
Sound Mixer:
David M. Ronne
Sound Re-Recording Mixer:
Rick Alexander
Les Fresholtz
Vern Poore
Special Effects:
Tim Moran
Donald Elliott
D. Kerry Prior
Sam Marquez
Doyle Smiley
Fred Tassaro
Lucinda Strub
Richard Stutsman
Bob Stoker
Mike Wever
Tony Gardner
Special Effects Coordinator:
Matt Sweeney
Still Photographer:
Jane O'Neal
Stunt Coordinator:
Gary Davis
Stunts:
Vicky Benson
John C. Meier
Chuck Picerni Jr.
Ceci Vendrell
Scott Dockstader
Dan Plum
Monty Cox
Jeff Habberstad
Pat Romano
Kim Robert Koscki
David LeBell
Sandy Berumen
David Burton
Madonna Joy
Janet Brady
Bruce Gattenbein
Bill Erickson
Jodie Mae Caldwell
Gene LeBell
Bernie Pock
Spice Williams-Crosby
Steve Holladay
Christopher Bowman
Sandra Lee Gimpel
William R. Perry
May Boss
Doc D. Charbonneau
Larry Nicholas
Dennis Scott
Jack West
Scott Wilder
Randy Hall
Supervising ADR Editor:
Larry Singer
Supervising Sound Editor:
Louis L. Edemann
Charles L. Campbell
Theme Song Performance:
Lou Gramm
Title Designer:
Anthony Goldschmidt
Unit Publicist:
Phyllis Gardner Hirsen
Visual Effects Designer:
Eric Brevig
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.