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Five Miles to Midnight (1962) [NR]

Release Date:
December 12, 1962

Original Title:
Le Couteau dans la plaie

Alternate Titles:
Die dritte Dimension
Five Miles to Midnight
Viaje hacia la medianoche
Нож в раната

Genres:
Crime | Drama | Thriller

Production Companies:
Dear Film
Filmsonor
Mercury

Production Countries:
France | Italy

Ratings / Certifications:
US: NR 

Runtime: 110

The Suspense Begins...From the Very First Second!

Overview from TheMovieDB

Immediately after Lisa declares that she is leaving her immature, abusive, but easy-going husband Robert, he is reported dead in a plane crash. Secretly still alive, he convinces her to collect his life insurance, although she knows that it's a bad idea. Lisa must contend with the complications of the scheme, which involve an aggressive suitor, Robert's jealousy, and her own guilt.

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Production

Adaptation:
Peter Viertel

Art Direction:
Alexandre Trauner

Assistant Editor:
Ginou Dodard

Associate Producer:
André Smagghe

Costume Design:
Guy Laroche

Dialogue:
Maurice Druon

Director:
Anatole Litvak

Director of Photography:
Henri Alekan

Editor:
Bert Bates

Idea:
André Versini

Original Music Composer:
Míkis Theodorakis

Producer:
Anatole Litvak

Production Design:
Alexandre Trauner

Screenplay:
Hugh Wheeler
Peter Viertel

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.