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Our Friend Romário (????) [N/A]

Original Title:
Nosso Amigo Romário

Alternate Titles:
Nuestro Amigo Romário
Our Friend Romário

Genres:
Drama | Family | Fantasy

Production Companies:
Murmúrio Filmes
Ponta de Anzol Filmes
Ursana Filmes

Production Countries:
Brazil

Ratings / Certifications:
 N/A

Runtime: 18

1994, interior of Minas Gerais, Brazil. The inertia of Francisco's last days is broken by an unexpected visit.

Overview from TheMovieDB

1994, interior of Minas Gerais, Brazil. The inertia of Francisco's last days is broken by an unexpected visit.

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Additional information:

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Performers

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Production

Art Direction:
Clara Pellegrini

Assistant Camera:
Daniel Brígido

Assistant Decorator:
Estevam Neto

Assistant Director:
Emanuele Sales
Yasmin Guimarães

Assistant Editor:
Gabriel Penna

Assistant Grip:
Isaac Teodorio
Lucas Pilar

Boom Operator:
Davi Cândido

Cinematography:
Brayan Juya Soler

Color Grading:
Brayan Juya Soler

Colorist:
Brayan Juya Soler

Compositor:
Pedro Emanuel

Costume Design:
Taís Ribeiro

Data Wrangler:
Gabriel Werneck

Director:
Antonio Pedroni

Editor:
Yasmin Guimarães

Electrician:
Gabriel Penna

Executive Producer:
Matheus Moura
Emanuele Sales

Focus Puller:
Yasmin Guimarães

Gaffer:
Fernando Schiavon

Makeup & Hair:
Amanda Vallejos

Makeup & Hair Assistant:
Estevam Neto
Paula Amorinni

Makeup Artist:
Amanda Vallejos
Ana Paula Furbino

Mixing Engineer:
Sérgio Salum

Music:
Pedro Emanuel

Producer:
Antonio Pedroni
Matheus Moura

Production Assistant:
Carol Gerçossimo

Production Coordinator:
Vitor Drumond

Production Director:
Samuel Fávero
Nicole Wingester

Sound Director:
Glaydson Mendes

Sound Editor:
Sérgio Salum

Sound Recordist:
Glaydson Mendes

Still Photographer:
Gabriel Werneck

Writer:
Antonio Pedroni

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.