A work in constant progress (and occasional regress).
Release Date:
September 16, 2025
Original Title:
No son sus ojos
Genres:
Horror | Thriller
Production Companies:
Ecam
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 12
The one with the person with a bandage on his head. (Synopsis pending)
Art Department Assistant:
Berta Bellido
Art Department Trainee:
Cloe Devaux de Lorenzo
Marco Fuentes García
Elizabeth Castañón
Art Direction:
Iván Plaza
Unai PZ Barandiaran
Assistant Editor:
Marcos BY
Pablo Ortega
Best Boy Electrician:
Pablo de Aguilar
Talía Ayllón
Boom Operator:
Marcos García Ferrer
Clara Bezos
Camera Operator:
Alexandre Rúas
Colorist:
Carlos Villafuerte
Costume Assistant:
Lucía Ortega
Costume Designer:
Marta Galiacho
Data Management Technician:
Talía Ayllón
Director:
Alejandro Guisado
Varo López
Director of Photography:
Alexandre Rúas
Editor:
María Rodríguez Mora
Cristian Tormo Navarro
Electrician:
Raquel Díaz Mora
Jharos Leonardo Espinoza
Almudena Díaz Porta
Javier Fernández Yeste
Executive Producer:
Marta Grimaldi
Pablo Maldonado
First Assistant Camera:
Juanma Marín
First Assistant Director:
Ainhoa Cabrera
Gaffer:
Javier Rodríguez González
Head of Production:
Alejandro Villaplana
Machinist:
Valentino Verdi
Makeup & Hair:
Rosabel Mora Díaz
Makeup Effects:
Rosabel Mora Díaz
Mixing Engineer:
Álvaro Daganzo
Clara Bezos
Music:
Jacobo Calderón
Production Assistant:
Carla López Basteiro
Production Trainee:
Candela Díaz Díez
Beatriz Fernández Casaus
Script Supervisor:
Alejandro Quiles
Second Assistant Camera:
Daniel Iglesias Gonzalez
Sound Director:
Álvaro Daganzo
Clara Bezos
Sound Editor:
Álvaro Daganzo
Clara Bezos
Sound Mixer:
Álvaro Daganzo
Clara Bezos
Sound Recordist:
Clara Bezos
Álvaro Daganzo
Still Photographer:
Iván Plaza
Third Assistant Director:
Belén Cortiña Hevia
Maximino Constantini
VFX Artist:
Iván Plaza
Video Assist Operator:
Darío García Giménez
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.