A work in constant progress (and occasional regress).
Release Date:
December 16, 1978
Original Title:
Every Which Way but Loose
Alternate Titles:
Duro de pelar
Pendenciero Rebelde
The Coming of Philo Beddoe
Genres:
Action | Adventure | Comedy | Drama | Romance
Production Companies:
Malpaso Productions
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M DE: 16 DK: 15 FR: U GB: 12 GR: 13 IE: 15 US: PG
Runtime: 110
Philo Beddoe is your regular, easygoing, truck-driving guy. He's also the best bar-room brawler west of the Rockies. And he lives with a 165-pound orangutan named Clyde. Like other guys, Philo finally falls in love - with a flighty singer who leads him on a screwball chase across the American Southwest. Nothing's in the way except a motorcycle gang, some cops, and legendary brawler Tank Murdock.
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Art Direction:
Elayne Barbara Ceder
Associate Producer:
Fritz Manes
Jeremy Joe Kronsberg
Costume Supervisor:
Glenn Wright
Director:
James Fargo
Director of Photography:
Rexford L. Metz
Editor:
Joel Cox
Ferris Webster
Gaffer:
Don Nygren
Hairstylist:
Dorothea Long
Makeup Artist:
Don Schoenfeld
Music:
Steve Dorff
Music Supervisor:
Snuff Garrett
Producer:
Robert Daley
Second Assistant Director:
Al Silvani
Wendy Shear
Set Decoration:
Robert De Vestel
Sound Effects Editor:
Josef von Stroheim
Marvin I. Kosberg
Sound Re-Recording Mixer:
Vern Poore
Special Effects:
Chuck Gaspar
Stunt Coordinator:
Buddy Van Horn
Stunt Double:
BJ Davis
Bobby Porter
George Dockstader
Chuck Hicks
Bob Orrison
Stunts:
Mary Peters
Andy Epper
George Cheung
Tony Epper
Larry Duran
Larry Holt
Mickey Gilbert
David LeBell
Hubie Kerns Jr.
Kevin N. Johnston
Troy Melton
Gene LeBell
Thomas Rosales Jr.
Chuck Waters
Rick Sawaya
Simone Boisseree
Unit Production Manager:
Billy Ray Smith
Ernest B. Wehmeyer
Writer:
Jeremy Joe Kronsberg
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.