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Star Trek II: The Wrath of Khan (1982) [PG]

Release Date:
June 4, 1982

Original Title:
Star Trek II: The Wrath of Khan

Alternate Titles:
De Wraak van Khan
Jornada nas Estrelas 2 - A Ira de Khan
Jornada nas Estrelas II - A Ira de Khan
Star Trek 2. - Khan haragja
Star Trek II - La Colère de Khan
Star Trek II: Gniew Khana
Star Trek II: Khan haragja
Űrszekerek II: Khan bosszúja
Стар Трек 2
星际旅行2：可汗怒吼
星际迷航2：可汗怒吼
스타트랙 2 : 칸의 역습

Genres:
Action | Adventure | Science Fiction | Thriller

Production Companies:
Paramount Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: PG  BR: L  CA: PG  DE: 12  DK: 15  ES: A  FR: U|10  GB: 12  GR: PG  IE: 12  JP: G  NL: 6  PT: M/12  SE: 15  US: PG 

Runtime: 112

At the end of the universe lies the beginning of vengeance.

Overview from TheMovieDB

The starship Enterprise and its crew is pulled back into action when old nemesis, Khan, steals a top secret device called Project Genesis.

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Additional information:

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Video

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Trailer

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Featurette

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Performers

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Production

Additional Soundtrack:
John Newton

Art Direction:
Michael Minor

Assistant Editor:
Christopher Koefoed
John Haggar
Vicky Witt

Assistant Property Master:
Charles C. Eguia Jr.

Associate Producer:
William F. Phillips

Camera Operator:
Craig Denault

Casting:
Mary V. Buck

Construction Coordinator:
Al DeGaetano

Costume Design:
Robert Fletcher

Craft Service:
Terry Ahern

Director:
Nicholas Meyer

Director of Photography:
Gayne Rescher

Dolly Grip:
Donald Whipple Jr.

Editor:
William Paul Dornisch

Executive Producer:
Harve Bennett

First Assistant Camera:
Catherine E. Coulson

First Assistant Director:
Douglas E. Wise

Gaffer:
Romolo Acquistapace

Hairstylist:
Dione Taylor

Key Grip:
Gene Griffith

Makeup Artist:
James Lee McCoy
Werner Keppler

Music:
Alexander Courage

Music Editor:
Bob Badami

Orchestrator:
Jack Hayes

Original Music Composer:
James Horner

Original Series Creator:
Gene Roddenberry

Post Production Supervisor:
Ralph Winter

Producer:
Robert Sallin

Production Design:
Joseph R. Jennings

Property Master:
Joe Longo

Screenplay:
Jack B. Sowards

Script Supervisor:
Mary Jane Ferguson

Second Assistant Camera:
Tom Connole

Second Assistant Director:
Richard Espinoza

Set Decoration:
Charles Graffeo

Set Designer:
Daniel Gluck
Daniel Maltese

Sound Effects Editor:
Teresa Eckton
Michael Hilkene
John Kline
Curt Schulkey
Jim Siracusa

Sound Mixer:
James R. Alexander

Sound Re-Recording Mixer:
Ray West
Noyan Cosarer
David J. Hudson
Mel Metcalfe

Sound Recordist:
Mark Server

Special Effects:
Fred Brauer
Ed Ayer
Gary F. Bentley
Martin Becker

Special Effects Supervisor:
Bob Dawson

Special Sound Effects:
Alan Howarth

Still Photographer:
Bruce Birmelin

Story:
Jack B. Sowards
Harve Bennett

Stunt Coordinator:
Bill Couch

Stunts:
Janet Brady
Allan Graf
John Escobar
George P. Wilbur
Tom Morga
Jim Burk
Anthony Cecere
Bill Couch Jr.
Diane Carter
Ernest Robinson
Jim Connors
Mike Washlake
Ann Chatterton
John Robotham
Gilbert B. Combs
Eddy Donno
Hubie Kerns Jr.
Steve Blalock
Fletcher Bryant
Chuck Hicks
Paula Moody
Tommy J. Huff
Beth Nufer
Gary Combs
Kym Washington Longino
Mary Peters

Supervising Sound Editor:
George Watters II
Cecelia Hall

Title Designer:
Don Kracke

Translator:
Marc Okrand

Transportation Captain:
Rick Valencia

Transportation Coordinator:
Michael McDuffee

Unit Production Manager:
Austen Jewell

Unit Publicist:
Eddie Egan

Visual Effects Supervisor:
Jim Veilleux
Ken Ralston

Wardrobe Supervisor:
James Linn
Agnes G. Henry

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.