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Star Trek II: The Wrath of Khan (1982) [PG]

Release Date:
June 4, 1982

Original Title:
Star Trek II: The Wrath of Khan

Alternate Titles:
02_Star Trek. La ira de Khan
De Wraak van Khan
Jornada nas Estrelas 2 - A Ira de Khan
Star Trek 02 - A Ira de Khan
Star Trek 02 - Der Zorn des Khan
Star Trek 2 - A Ira de Khan
Star Trek 2 - La ira de Khan
Star Trek 2. - Khan haragja
Star Trek 2: Der Zorn des Khan
Star Trek 2: The Wrath of Khan
Star Trek II - La Colère de Khan
Star Trek II - The Wrath of Khan (Director's Cut)
Star Trek II: Der Zorn des Khan
Star Trek II: Gniew Khana
Star Trek II: Khan haragja
Star Trek II：The Wrath Of Khan
Star Trek The Wrath Of Khan
Űrszekerek II: Khan bosszúja
Стар Трек 2
星际旅行2：可汗怒吼
星际迷航2：可汗怒吼
스타트랙 2 : 칸의 역습

Genres:
Action | Adventure | Science Fiction | Thriller

Production Companies:
Paramount Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: PG  BR: L  CA: PG  DE: 12  ES: A  FR: U|10  GB: 12  GR: PG  IE: 12  JP: G  NL: 6  PT: M/12  SE: 15  US: PG 

Runtime: 112

At the end of the universe lies the beginning of vengeance.

Overview from TheMovieDB

The starship Enterprise and its crew is pulled back into action when old nemesis, Khan, steals a top secret device called Project Genesis.

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Additional information:

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Featurette

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Performers

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Production

Additional Soundtrack:
John Newton

Art Direction:
Michael Minor

Assistant Editor:
Vicky Witt
John Haggar
Christopher Koefoed

Assistant Property Master:
Charles C. Eguia Jr.

Associate Producer:
William F. Phillips

Camera Operator:
Craig Denault

Casting:
Mary V. Buck

Construction Coordinator:
Al DeGaetano

Costume Design:
Robert Fletcher

Craft Service:
Terry Ahern

Director:
Nicholas Meyer

Director of Photography:
Gayne Rescher

Dolly Grip:
Donald Whipple Jr.

Editor:
William Paul Dornisch

Executive Producer:
Harve Bennett

First Assistant Camera:
Catherine E. Coulson

First Assistant Director:
Douglas E. Wise

Gaffer:
Romolo Acquistapace

Hairstylist:
Dione Taylor

Key Grip:
Gene Griffith

Makeup Artist:
James Lee McCoy
Werner Keppler

Music Editor:
Bob Badami

Orchestrator:
Jack Hayes

Original Music Composer:
James Horner

Post Production Supervisor:
Ralph Winter

Producer:
Robert Sallin

Production Design:
Joseph R. Jennings

Property Master:
Joe Longo

Screenplay:
Jack B. Sowards

Script Supervisor:
Mary Jane Ferguson

Second Assistant Camera:
Tom Connole

Second Assistant Director:
Richard Espinoza

Set Decoration:
Charles Graffeo

Set Designer:
Daniel Maltese
Daniel Gluck

Sound Effects Editor:
Teresa Eckton
Michael Hilkene
John Kline
Jim Siracusa
Curt Schulkey

Sound Mixer:
James R. Alexander

Sound Re-Recording Mixer:
David J. Hudson
Ray West
Mel Metcalfe
Noyan Cosarer

Sound Recordist:
Mark Server

Special Effects:
Gary F. Bentley
Ed Ayer
Fred Brauer
Martin Becker

Special Effects Supervisor:
Bob Dawson

Special Sound Effects:
Alan Howarth

Still Photographer:
Bruce Birmelin

Story:
Jack B. Sowards
Harve Bennett

Stunt Coordinator:
Bill Couch

Stunts:
Janet Brady
Allan Graf
Gilbert B. Combs
Ernest Robinson
Jim Burk
Eddy Donno
Chuck Hicks
Bill Couch Jr.
Jim Connors
John Robotham
Diane Carter
Gary Combs
Kym Washington Longino
Beth Nufer
Steve Blalock
Mike Washlake
Hubie Kerns Jr.
Ann Chatterton
Anthony Cecere
Paula Moody
George P. Wilbur
Fletcher Bryant
John Escobar
Tom Morga
Tommy J. Huff
Mary Peters

Supervising Sound Editor:
Cecelia Hall
George Watters II

Title Designer:
Don Kracke

Translator:
Marc Okrand

Transportation Captain:
Rick Valencia

Transportation Coordinator:
Michael McDuffee

Unit Production Manager:
Austen Jewell

Unit Publicist:
Eddie Egan

Visual Effects Supervisor:
Ken Ralston
Jim Veilleux

Wardrobe Supervisor:
Agnes G. Henry
James Linn

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.