A work in constant progress (and occasional regress).
Release Date:
April 11, 2025
Original Title:
Ekphrasis
Production Countries:
Spain
Ratings / Certifications:
FR: TP
With this installation, the Estampa collective continues its exploration of the new algorithmic relationships between words and images established by analytical and generative AI models. In Ekphrasis, excerpts from various films are subjected to an extremely complex and layered algorithmic description process: objects, faces, and emotions are detected and classified by artificial vision and facial analysis systems, while image-to-text models are used to generate detailed descriptions and analyses. The work draws our attention to the poetic potential inherent in the radical impossibility of translating images into words, and vice versa.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.