A work in constant progress (and occasional regress).
Release Date:
August 8, 1996
Original Title:
Brilliant Lies
Genres:
Drama
Production Companies:
Bayside Pictures
Beyond Films
Horizon Films
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 94
Susy Conner accuses former employer, Gary Fitzgerald, of harassment and unfair dismissal for failing to comply with his sexual demands. Relating the incident to conciliation lawyer, Marion Lee, Susy comments that the trauma experienced should entitle her to a compensation payment of $40,000.00.
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Art Department Coordinator:
Miriam Johnson
Art Direction:
Brian Alexander
Assistant Editor:
Robert Hall
Casting:
Gregory Apps
Continuity:
Ann Beresford
Costume Designer:
Roger Kirk
Dialogue Editor:
Glenn Newnham
Director:
Richard Franklin
Director of Photography:
Geoff Burton
Editor:
David Pulbrook
First Assistant Director:
Chris Webb
Hairstylist:
Cheryl Williams
Location Manager:
Neil McCart
Makeup Artist:
Amanda Rowbottom
Music:
Nerida Tyson-Chew
Post Production Supervisor:
Kim McKillop
Ann Beresford
Producer:
Sue Farrelly
Richard Franklin
Production Coordinator:
Sandi Revelins
Production Design:
Tracy Watt
Production Manager:
Ray Hennessy
Scoring Mixer:
Robin Gray
Second Assistant Director:
Tanya Jackson
Second Unit Director:
David Pulbrook
Set Decoration:
Jill Eden
Sound Designer:
Frank Lipson
Sound Mixer:
Roger Savage
Steve Burgess
Sound Recordist:
Lloyd Carrick
Special Effects Technician:
Kevin Turner
Theatre Play:
David Williamson
Third Assistant Director:
Michael Agnew
Title Designer:
Neil Robinson
Visual Effects:
Roger Cowland
Wardrobe Supervisor:
Kerry Thompson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.