A work in constant progress (and occasional regress).
Release Date:
July 29, 1993
Original Title:
Gross Misconduct
Alternate Titles:
Atto indecente
Cattiva condotta
Conducta inmoral
Gross Indecency
Gross Misconduct
Oförsvarligt uppträdande
Relação Perigosa
Genres:
Drama | Thriller
Production Companies:
Australian Film Finance Corporation
David Hannay Productions
Pro Filmworks
Production Countries:
Australia
Ratings / Certifications:
AU: M KR: 18
Runtime: 90
Justin Thorne is a liberal arts professor. One of his college students is Jennifer Carter. She seduces Justin, then accuses him of rape. But it turns out that she has an unusual relationship with her father.
Art Direction:
Ken Hazelwood
Assistant Editor:
Basia Ozerski
Assistant Sound Editor:
Angus Robertson
Camera Operator:
Ian Jones
Casting:
Jan Pontifex
Cameron Harris
Clapper Loader:
Ian McMillan
Continuity:
Jenni Tosi
Costume Coordinator:
Margot Lindsay
Costume Design:
Aphrodite Kondos
Dialogue Coach:
Susan Gorence
Dialogue Editor:
Tim Jordan
Director:
George T. Miller
Director of Photography:
David Connell
Editor:
Henry Dangar
First Assistant Director:
Brian Giddens
Focus Puller:
Greg Ryan
Makeup & Hair:
Paul Pattison
Makeup Supervisor:
Amanda Rowbottom
Modeling:
Neil Angwin
Music:
Bruce Rowland
Producer:
David Hannay
Production Coordinator:
Sue Edwards
Production Design:
Jon Dowding
Production Manager:
Brenda Pam
Prosthetic Makeup Artist:
Nik Dorning
Second Assistant Director:
Monica Pearce
Sound Effects Editor:
Nicki Roller
Sound Mixer:
Phil Judd
Sound Recordist:
Andrew Ramage
Special Effects Coordinator:
Brian Pearce
Steadicam Operator:
Ian Jones
Still Photographer:
Skip Watkins
Stunt Coordinator:
Arch Roberts
Glenn Boswell
Third Assistant Director:
Karen Mahood
Unit Manager:
Maurice Burns
Visual Effects:
Roger Cowland
Writer:
Gerard Maguire
Lance Peters
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.