A work in constant progress (and occasional regress).
Release Date:
December 8, 2014
Original Title:
Sire Gauvain et le Chevalier Vert
Genres:
Fantasy | History | Romance
Production Companies:
CNC
Région Bretagne
Territorial Film Developments (TFD)
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 29
A mysterious Green Knight rides into a court celebration and challenges the young knights present to strike him with his own axe - on the condition that he, the Green Knight, may return exactly the same blow in a year and a day. Gawain accepts and cuts off his head. But the Green Knight stands up, retrieves his head, and rides away, reminding Gawain of his promise.
Animal Wrangler:
Marie Baron
Luc Petillot
Art Direction:
Anthony Tochon
Assistant Art Director:
Bianca Gomez
Assistant Costume Designer:
Jeremie Hazael-Massieux
Assistant Production Manager:
Guillaume Moinard
Best Boy Electric:
Pierre Corvaisier
Carpenter:
Quentin Filloneau
Casting Director:
Brigitte Moidon
Choreographer:
Catherine Ingrassia
Cinematography:
Thomas Ozoux
Costume Designer:
Jeanne Birckel
Crowd Assistant Director:
Marie Chêne
Director:
Martin Beilby
Editor:
Laurent Rouan
Electrician:
Arthur Benoist
Cédric Zakrzewski
Extras Casting:
Marie Chêne
First Assistant Camera:
Sei Ito
First Assistant Director:
Thomas Colban
Grip:
Kiên Beauvois
Maxime Daguerre
Key Grip:
Morvan Omnes
Makeup Artist:
Caroline Planque
Painter:
Lucie Legrand
Fabienne Lozann
Producer:
Vanessa Bertin
Production Manager:
Vanessa Bertin
Florence Tanguy
Property Master:
Christian Roudil
Screenplay:
Jacques Sotty
Script Supervisor:
Soizic Poënces
Second Assistant Camera:
Chloé Marneau
Second Assistant Director:
Tiphaine Viron
Sound Mixer:
Jérôme Ayasse
Stunt Coordinator:
Cedric Chavin
Stunt Double:
Alexandre Butavand
Visual Effects Supervisor:
Damien Hurgon
Writer:
Martin Beilby
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.