A work in constant progress (and occasional regress).
Release Date:
August 6, 2004
Original Title:
Little Black Book
Alternate Titles:
Audie & the Wolf
Las ex novias de mi novio
Le petit carnet noir
ซุ่มแผนปราบรักพ่อตัวดี
劈腿排行榜
Genres:
Comedy | Drama | Romance
Production Companies:
Blue Star Pictures
Revolution Studios
Production Countries:
United States of America
Ratings / Certifications:
CZ: 12+ HU: 12 IE: 12 NL: AL PL: 12 US: PG-13
Runtime: 111
Determined to learn about her boyfriend's past relationships, Stacy -- who works for a talk show -- becomes a bona fide snoop. With her colleague, Barb, Stacy gets the names of Derek's ex-lovers and interviews them, supposedly for an upcoming show. But what she learns only adds to her confusion, and her plans begin to unravel when she befriends one of the women.
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"A" Camera Operator:
Colin Anderson
"B" Camera Operator:
Daniel C. Gold
ADR Editor:
Michelle Pazer
ADR Mixer:
Robert Deschaine
Ron Bedrosian
ADR Recordist:
Tami Treadwell
Julio Carmona
Actor's Assistant:
An Chang
Stephanie Langhoff
Brian Salzman
David Zimmerman
Sam Alipour
Kate Powell
Leah Bathe
Rebekah Merrill
Linda L. Wehbi
Additional Construction:
Michael Cole
Ernest Lopez, Jr.
Art Department Coordinator:
Aimee Rousey
Art Direction:
Peter Andrus
Assistant Accountant:
Cheri Hall
Sean Carville
Assistant Chief Lighting Technician:
Michael Arvanitis
Assistant Costume Designer:
Vikki Barrett
Assistant Editor:
Zeborah Tidwell
Dave Kaldor
Assistant Location Manager:
Michael Brewer
Fermin Davalos
Kyle Oliver
Assistant Production Coordinator:
Kathy Rayle
Assistant Property Master:
George Capetanos
Assistant Sound Editor:
David Stanke
David Kudell
Associate Producer:
Lauren Kisilevsky
Best Boy Grip:
Joe Macaluso
Dascious Thomas
Boom Operator:
Harrison D. Marsh
Camera Loader:
Mark Gilmer
Casting:
Nancy Nayor
Barbara Harris
Casting Assistant:
Andrew Morgan
Casting Associate:
Stephanie Laffin
Mia Levinson
Catering:
Lloyd Thomas
Chief Lighting Technician:
Jono Kouzouyan
Color Timer:
Chris Regan
Dennis McNeill
Compositing Artist:
Kelly Bumbarger
Kevin Moseley
Sean Wilson
Jeff Zaman
Compositing Lead:
Stefano Trivelli
Conductor:
Pete Anthony
Construction Coordinator:
Bill Holmquist
Construction Foreman:
Terry Kempf
Mark Balda
Darrin Clubb
Guadalupe Gutiérrez
Costume Design:
Susie DeSanto
Costume Supervisor:
Deborah Hall
Costumer:
Frances Vega Aubrey
Amanda Chamberlin
Steve Constancio
Elizabeth A. Donovan
Jamelle Flowers
Craft Service:
Willie Radcliff
Lois B. Radcliff
Data Management Technician:
Vincent Lavares
Dialogue Editor:
Laura Harris
David A. Cohen
Kerry Dean Williams
Chris Hogan
Director:
Nick Hurran
Director of Photography:
Theo van de Sande
Dolly Grip:
Michael Schwake
Editor:
John Richards
Editorial Production Assistant:
Jessica Lacher
Owen Thomas
Executive Producer:
Herb Gains
Rachael Horovitz
Warren Zide
Craig Perry
Extras Casting:
Tina Kerr
First Assistant "A" Camera:
Zoran Veselić
First Assistant "B" Camera:
Don Steinberg
First Assistant Director:
Vincent Lascoumes
First Assistant Editor:
Bob Allen
Foley Artist:
Jeffrey Wilhoit
James Moriana
Christopher Moriana
Foley Editor:
Bob Behr
Foley Mixer:
Nerses Gezalyan
Graphic Designer:
Eric Rosenberg
Greensman:
Pilo Silva
Hair Department Head:
Bonnie Clevering
Hairstylist:
Judith A. Cory
Kathrine Gordon
Laine Trzinski
I/O Manager:
Glenn Clyatt
Nicholas Lund-Ulrich
Intern:
Craig Miller
Key Costumer:
Susan Kistler
Key Grip:
Jack Chouchanian
Key Hair Stylist:
Deborah Mills-Whitlock
Key Makeup Artist:
Sherilyn Stetz
Key Rigging Grip:
Steele Hunter
Leadman:
Thierry Labbe
Location Manager:
Curtis Collins
Makeup Artist:
Tricia Sawyer
Katherine James
Jane Cohen
Makeup Department Head:
Brad Wilder
Matte Painter:
Michele Moen
Music Coordinator:
Andrew Kaiser
Music Editor:
Fernand Bos
Lisa Jaime
David Klotz
Music Supervisor:
Randall Poster
Negative Cutter:
Mo Henry
On Set Dresser:
Tom Wisanen
Orchestrator:
Kevin Kliesch
Original Music Composer:
Christophe Beck
Paint Coordinator:
Craig Anthony Muzio
Payroll Accountant:
Edward Poveda
Pilot:
Al Cerullo
Post Production Coordinator:
Pedro Kos
Post Production Supervisor:
Isabel Henderson
Producer:
Elaine Goldsmith-Thomas
Deborah Schindler
William Sherak
Jason Shuman
Production Accountant:
Allen E. Taylor
Production Assistant:
Angela Athayde
Amber Freeman
Sean Haley
Dave Dalebea
Erin Goldsmith
Bill Hardy
Rebekcah Martz
Molly O'Haver
Bea S. Rembeczky
Trish Stanard
Ryan D. Thompson
Will Sandoval
Ivan R. Stracener III
Laura Wichinsky
Production Design:
Bob Ziembicki
Production Office Coordinator:
Jennifer Corey
Production Secretary:
Steve Eddy
Production Sound Mixer:
David MacMillan
Production Supervisor:
Sara Flamm
Property Master:
Lynda Reiss
Props:
Mark D. Berrend
Patrick J. Martin
Prosthetics:
Gary Archer
Rigging Gaffer:
James F. Cornick
Scoring Mixer:
Chris Fogel
Screenplay:
Elisa Bell
Melissa Carter
Script Supervisor:
Nancy Karlin
Second Assistant "A" Camera:
Steven Cueva
Second Assistant Director:
Paula Harris
Second Second Assistant Director:
Christophe Le Chanu
Set Decoration:
Bob Kensinger
Set Designer:
Jeff Ozimek
Julia K. Levine
Set Medic:
Ericka Bryce
Sound Effects Editor:
Kerry Ann Carmean
Randy Kelley
Tim Walston
Scott Wolf
Sound Engineer:
Jeff Malham
Sound Mixer:
Jon Taylor
Brad Sherman
Sound Re-Recording Mixer:
Unsun Song
Special Effects Coordinator:
Robert Calvert
Standby Painter:
Luz
Steadicam Operator:
Colin Anderson
Still Photographer:
Zade Rosenthal
Story:
Melissa Carter
Stunt Coordinator:
Gregg Smrz
Stunt Driver:
Stefanie Barry
Stunts:
Joni Avery
Meredith Zealy
Kate Powell
Supervising Sound Editor:
Michael D. Wilhoit
Transportation Captain:
Candace Wells
Transportation Coordinator:
Randy Peters
Unit Production Manager:
Herb Gains
Unit Publicist:
John M. Pisani
Video Assist Operator:
Bradford Ralston
Visual Effects Coordinator:
Carla Sierra
Visual Effects Editor:
Tommy Dorsett
Visual Effects Producer:
Carole Cowley
Elaine Essex Thompson
Visual Effects Supervisor:
Kenneth Nakada
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.