The Great Sinner (1949) [NR]

Release Date:
June 29, 1949

Original Title:
The Great Sinner

Alternate Titles:
Der große Sünder

Genres:
Drama

Production Companies:
Metro-Goldwyn-Mayer

Production Countries:
United States of America

Ratings / Certifications:
DE: 16  US: NR 

Runtime: 110

A great star for every role in a great drama

A young man succumbs to gambling fever.

Additional information:

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Art Department Coordinator:
Henry Grace

Art Direction:
Hans Peters
Cedric Gibbons

Assistant Camera:
Frank V. Phillips

Assistant Director:
Marvin Stuart

Camera Operator:
Robert J. Bronner

Co-Director:
Mervyn LeRoy

Conductor:
André Previn

Costume Design:
Fred Valles
Irene

Dialogue Coach:
Michael Sudley

Director:
Robert Siodmak

Director of Photography:
George J. Folsey

Editor:
Harold F. Kress

Grip:
Howard Bradner

Hair Designer:
Sydney Guilaroff

Hairstylist:
Fritzie

Makeup Designer:
Jack Dawn

Novel:
Fyodor Dostoevsky

Orchestrator:
Robert Franklyn
Conrad Salinger

Original Music Composer:
Bronislau Kaper

Other:
Joan Joseff

Producer:
Gottfried Reinhardt

Production Manager:
Sergei Petschnikoff

Recording Supervision:
Douglas Shearer

Screenplay:
Ladislas Fodor
Christopher Isherwood

Script Supervisor:
Don McDougall

Set Decoration:
Edwin B. Willis

Sound:
Conrad Kahn

Special Effects:
Warren Newcombe

Still Photographer:
Ed Hubbell

Story:
Ladislas Fodor
René Fülöp-Miller

Technical Advisor:
Paul Elbogen

Vocals:
Paul Salamunovich

About the Movie Section

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.