A work in constant progress (and occasional regress).
Featuring:
Carmen Duncan, Michael Aitkens, Shane Briant
Written by:
Graham Hartley
Keith Leopold
Directed by:
Chris Langman
Release Date:
January 1, 1986
Original Title:
Run Chrissie Run!
Alternate Titles:
Moving Targets
Genres:
Action | Crime | TV Movie | Thriller
Production Companies:
South Australian Film Corporation
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 90
The action moves along quickly, jumping over holes in the script, in this made-for-television drama about Eve, an ex-terrorist from Germany who is forced to escape to Australia with her teenage daughter Chrissie when she is sought by Riley, a lover from 17 years in the past. In turn, the IRA has sent two members after Riley because he shot an IRA soldier and must pay the consequences. The two IRA operatives looking for Riley come across a really nasty biker who wants vengeance on Eve for setting his car on fire -- and the three men finally track her and Chrissie to the wine-growing country of Barossa Valley. The final denouement is about to explode, as Riley also arrives on the scene. With under-par acting and a patchy plot, this film was never released theatrically.
The action moves along quickly in this made-for-television drama about Eve, an ex-terrorist from Germany who is forced to escape to Australia with her teenage daughter Chrissie when she is sought by Riley, a lover from 17 years in the past. In turn, the IRA has sent two members after Riley because he shot an IRA soldier and must pay the consequences. The two IRA operatives looking for Riley come across a really nasty biker who wants vengeance on Eve for setting his car on fire -- and the three men finally track her and Chrissie to the wine-growing country of Barossa Valley. The final denouement is about to explode, as Riley also arrives on the scene. With under-par acting and a patchy plot, this film was never released theatrically.
Armorer:
Brian Burns
Art Direction:
Herbert Pinter
Assistant Art Director:
Stewart Way
Assistant Editor:
Denise Haratzis
Associate Producer:
Ron Saunders
Casting:
Audine Leith
Construction Manager:
Derek Mills
Continuity:
Ann Walton
Dialogue Coach:
Audine Leith
Director:
Chris Langman
Director of Photography:
Ernie Clark
Editor:
Andrew Prowse
Executive Producer:
Jock Blair
First Assistant Director:
Robert Kewley
Hairdresser:
Sash Lamey
Makeup Artist:
Helen Evans
Music:
Bob Kretschmer
Novel:
Keith Leopold
Producer:
Harley Manners
Production Coordinator:
Margo Tamblyn
Production Design:
Alistair Livingstone
Production Manager:
Jan Tyrrell
Second Assistant Director:
John Rooke
Sound Editor:
Rex Watts
Frank Lipson
Sound Effects:
Brian Pearce
Sound Mixer:
James Currie
David Harrison
Pete Smith
Sound Recordist:
Lloyd Carrick
Special Effects:
Brian Pearce
Jamie Thompson
Story Editor:
Peter Gawler
Stunt Coordinator:
Dennis Hunt
Third Assistant Director:
Lindsay Smith
Unit Manager:
Janet McIver
Visual Effects:
Roger Cowland
Wardrobe Supervisor:
Louise Wakefield
Writer:
Graham Hartley
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.