A work in constant progress (and occasional regress).
Original Title:
The Last Bonaparte
Ratings / Certifications:
N/A
Runtime: 19
In this reimagining of GK Chesterton's novel "the Napoleon of Notting Hill," a book censor in the year 2084 reads a forbidden book and rediscovers what it means to be human.
ADR Recordist:
Jack Griffin
Caleb Anderson
Andrew Myers
Art Department Assistant:
Seth Lo
Art Designer:
Hudson Mayne
Art Direction:
Bella Greer
Assistant Editor:
William Gruen
Best Boy Electric:
Jay Gonzalez
Boom Operator:
Andrew Myers
Camera Technician:
Mason Bell
Naylah Jobe
Abby Johler Mann
Casting Assistant:
Becca Petty
Casting Director:
Lindsey Harper
Colorist:
Joseph Cunningham
Costume Assistant:
Freddy Raske
Costume Design:
Halle Mae Lee
Costume Designer:
Victoria Gruen
Craft Service:
Eliana Henry
Natalie-jo Hahn
Digital Imaging Technician:
Joseph Cunningham
Director:
Nick Bash
Director of Photography:
Joseph Cunningham
Editor:
Victoria Gruen
First Assistant Camera:
James Michael Chiang
First Assistant Director:
Connaly Akiyama
Foley Artist:
Henry Takiguchi
Foley Recordist:
Evan Nowack
Gaffer:
Libby Gorton
Jonathon Ganji
Graphic Designer:
CJ Williams
Bella Greer
Isabella Gonzalez
Grip:
Ethan Ogando
Evelynn Moorman
Key Grip:
Jonathon Ganji
Line Producer:
David Emmanuel Alexander
Music:
Jaden Knighton
Post Production Supervisor:
Nick Bash
Producer:
Nick Bash
Caitlin Krengel
Eliana Henry
Josh Yoder
Jacqueline McCauslin
Production Designer:
Bella Greer
Libby Scott
Production Sound Mixer:
Caleb Anderson
Props:
Addy Carmack
Script Supervisor:
Lindsey Harper
Sean O'Hara
Second Assistant Camera:
Jin Kim
Second Assistant Director:
Ben Cordner
Analei Song
Second Second Assistant Director:
Becca Petty
Set Decoration:
Marina Liberato
Sound Assistant:
Siobhan Flaherty
Sound Designer:
Evan Nowack
Sound Editor:
Evan Nowack
Sound Engineer:
Evan Nowack
Sound Post Supervisor:
Evan Nowack
Stunt Coordinator:
Heather Hemsley
Unit Production Manager:
Natalie-jo Hahn
VFX Artist:
John Grayson
Carson McHuron
Weapons Master:
Jack Morris
Writer:
Nick Bash
Sean O'Hara
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.