A work in constant progress (and occasional regress).
Release Date:
May 17, 2025
Original Title:
Lost to Time
Genres:
Science Fiction
Ratings / Certifications:
US: R
Runtime: 13
In the distant future, a cocky and corrupted CEO plans on changing the world at the cost of pushing away his family, friends and future.
Assistant Editor:
Stefan Rossell
George Shikowitz
Best Boy Electric:
Kenji Damp
Best Boy Grip:
Samuel Shorty
Boom Operator:
Ben Darke
Joseph Levy
Camera Operator:
RJ Torres
Vianne Hibner-Hereford
Camera Production Assistant:
Daniel Roberts
Elijah De Billie
Casting:
George Shikowitz
Marqus Chavez
Catering:
Gianna Peredina
Colorist:
Sunandita Santhanam
Concept Artist:
George Shikowitz
Lesly Esparaza
Costume Design:
George Shikowitz
Digital Imaging Technician:
Miguel Angel Morones
Director:
George Shikowitz
Director of Photography:
RJ Torres
Editor:
Kyahn Ely
Electrician:
Ryan Beane
Executive Producer:
George Shikowitz
First Assistant Director:
Hawkins Mosley
Focus Puller:
Vianne Hibner-Hereford
Ella Daniel
Foley Artist:
Mike Chavez
Gaffer:
Joseph Pacheco
Key Grip:
Nata Aguilar
Makeup & Hair:
Sunandita Santhanam
Alicia Gettler
Erica Beth Fish
Music:
Thomas Ropp
Post Production Supervisor:
Kyahn Ely
Producer:
Kyahn Ely
Marqus Chavez
Production Assistant:
Henry Shikowitz
Kieran Huffman
Production Design:
George Shikowitz
Props:
Marqus Chavez
Script Supervisor:
Liana Montoya-Loranger
Second Assistant Director:
Elliot Michael Jones
Set Decoration:
Christopher Gomez
Suchada El-Amin
Sound Designer:
Mike Chavez
Sound Recordist:
Daniel Campos
Luke Klute
Sound Supervisor:
Mike Chavez
Still Photographer:
Liana Montoya-Loranger
Erin Dalton
Storyboard Artist:
George Shikowitz
Lesly Esparaza
Writer:
George Shikowitz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.