A work in constant progress (and occasional regress).
Original Title:
Saboteurs
Genres:
Comedy | Drama
Production Companies:
Flicker Film Society
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 10
When two actresses find out they're competing for the same role, they go to dangerous measures to stop each other from getting the part.
BTS Photographer:
Auden Peltz
Maria Courie
Alyssa Pope
BTS Videographer:
Vanessa Anzola Castellanos
Boom Operator:
Riley James
Camera Operator:
Henry Graves
Camera Production Assistant:
Mattieann Suddreth
Casting Director:
Jayden Yarborough
Kaylen McDow
Color Grading:
Ben Gulledge
Craft Service:
Everett Lyons
Matthew L. Young
Director:
Ian Rosales
Director of Photography:
Jasmine Cruz
Editor:
Harry Poole
Electrician:
Colby Hartman
Tommy Bowers
First Assistant Camera:
Riley Snyder
First Assistant Director:
Gabrielle Santomartino
Foley Artist:
Aidan Camanguian
Bryn Ingram
Gaffer:
John Sheek
Graphic Designer:
Lia Hodges
Grip:
Cameron Scholl
Zachary Miltz
Key Grip:
Ed Dreifuss
Key Production Assistant:
Lainey Faye
Location Manager:
Carlie Joye
Location Scout:
Rob Casanova
Makeup & Hair:
Riley Bardon
Makeup & Hair Assistant:
Andrew Zanino
Music:
Myles Riesgaard
Jacob Castles
Producer:
Ruby Schweitzer
Jack Knight
Production Artist:
Kendall Wright
Production Assistant:
Paxton Free
Braeden O'Connell
Spencer Ivey
Andrew Warren
Jayden Yarborough
Production Design:
Kieran McKeon
Props:
Ridge Anderson
Script Supervisor:
Noah Reed
Second Assistant Director:
Izzie Barrett
Set Decoration:
Amber Lesko
Andrew Jertsen
Sound Assistant:
Margaret Oneal
Sound Designer:
Dominic Laurel
Sound Mixer:
Lilly White
Still Photographer:
Alan Flores-Valle
Title Graphics:
Lia Hodges
VFX Artist:
Walker Dixon
Wardrobe Supervisor:
Emeline Addy
Hannah Snyder
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.