A work in constant progress (and occasional regress).
Release Date:
September 13, 1991
Original Title:
Dogfight
Alternate Titles:
Mimmikisa
Собачий бой
Собачья свара
Genres:
Drama | Romance
Production Companies:
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 94
In the fall of 1963, Eddie Birdlace is an 18-year-old Marine Corps volunteer who is about to ship out with three of his buddies for a tour of duty in Vietnam. Planning a massive blowout for their last night in San Francisco, Eddie, his buddies, and a number of other Marines set up a contest they call a "dogfight."
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Art Department Assistant:
Tasha Le Mel
Crista Schneider
Art Direction:
Daniel Talpers
Assistant Editor:
Tim Squyres
Jolie Gorchov
Assistant Property Master:
John Harrington
Associate Producer:
Llewellyn Wells
Best Boy Electric:
Charley Gilleran
Boom Operator:
Mark Goodermote
Casting:
Marion Dougherty
Construction Coordinator:
Loren Corney
Construction Foreman:
Alun Vick
Costume Design:
Eugenie Bafaloukos
Director:
Nancy Savoca
Director of Photography:
Bobby Bukowski
Dolly Grip:
Victor Korte
Editor:
John Tintori
Executive Producer:
Cathleen Summers
First Assistant Camera:
Chris Lombardi
First Assistant Director:
J. Miller Tobin
Gaffer:
Jim Grce
Key Grip:
Thaddeus Wadleigh
Leadman:
Kenneth Milfred
Music:
Mason Daring
Producer:
Peter Newman
Richard Guay
Production Design:
Lester Cohen
Property Master:
Kirk Corwin
Rigging Gaffer:
John Cardoni
Scenic Artist:
Phillip Schneider
Teresa Mastropierro
Screenplay:
Bob Comfort
Script Supervisor:
Mary Cybulski
Second Assistant Director:
Frank Kostenko Jr.
Set Decoration:
Jessica Lanier
Set Designer:
Sarah Stollman
Sound Mixer:
John Sutton
Standby Painter:
Steve Larose
Stunts:
Joe Finnegan
Gene Hartline
Scott Leyse
Unit Production Manager:
Llewellyn Wells
Unit Publicist:
Mira Tweti
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.