A work in constant progress (and occasional regress).
Release Date:
March 31, 1951
Original Title:
The Late Edwina Black
Alternate Titles:
The Obsessed
Genres:
Drama | Mystery
Production Companies:
Elvey-Gartside Productions
Romulus Films
Production Countries:
United Kingdom
Ratings / Certifications:
US: NR
Runtime: 78
When a sickly Victorian woman dies suddenly, a postmortem reveals that her body contains a fatal dose of arsenic. Suspicion falls on her husband and her companion, who are lovers. Inspector Martin of Scotland Yard solves the mystery of her death... over a cup of tea.
Administrative Assistant:
Vivienne Eden
Art Direction:
George Provis
Assistant Director:
Kenneth Rick
Assistant Editor:
Richard Marden
Don Terrett
Camera Operator:
Charles Earl
Moray Grant
Clapper Loader:
Ceri Davies
Conductor:
Ludo Philipp
Continuity:
Jean Dyball
Betty Harley
Costume Design:
Elizabeth Haffenden
Director:
Maurice Elvey
Director of Photography:
Stephen Dade
Draughtsman:
T.R. Seddon
Editor:
Douglas Myers
Focus Puller:
Micky Dean
Hairstylist:
Betty Sherriff
Makeup Department Head:
Aldo Manganaro
Original Music Composer:
Allan Gray
Producer:
Ernest Gartside
Production Executive:
Gilbert Mandelik
Production Manager:
John S. Gartside
Property Buyer:
Edward Rodrigo
Scenic Artist:
Peter Mullins
Screenplay:
David Evans
Charles Frank
Sound Engineer:
Alan Blay
Sound Recordist:
John Cox
Bert Ross
Sound Supervisor:
Norman Daines
Theatre Play:
William Morum
William Dinner
Third Assistant Director:
Buddy Booth
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.