A work in constant progress (and occasional regress).
Original Title:
And Still I Rise
Genres:
Documentary
Production Companies:
Agat Films & Cie / Ex Nihilo
Production Countries:
France | Morocco | Qatar
Ratings / Certifications:
N/A
Runtime: 90
Aravane Rézaï hates tennis. Yet, at the age of 23, she won the Madrid Open, one of the most prestigious tournaments in the world. She bested some of the biggest names in women's tennis, including Venus Williams, Justine Henin, and Marion Bartoli. The road to being named world champion was open to her. Then, at 24, she disappeared from the circuit overnight. Today, Rézaï is 37 and making a comeback, aiming to return to the world's top 10. To get there, she has called on her old coach: her father, the man behind her past success—and suffering. Through the prism of this sporting challenge, And Still I Rise examines the relationship between a father and his daughter, and her ability to achieve emancipation.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.