A work in constant progress (and occasional regress).
Release Date:
December 1, 1972
Original Title:
Ooh... You Are Awful
Alternate Titles:
Get Charlie Tully
Genres:
Comedy
Production Companies:
British Lion Films
Production Countries:
United Kingdom
Ratings / Certifications:
GB: PG
Runtime: 97
Charlie Tully and womanising Reggie Peek con two rich Italians out of £500,000 but during their flight out Charlie is arrested for coning an American and a dog. Reggie stores the money in a Swiss Bank and after Charlie is released is about to tell him which Bank when he is killed by Sid Sabbath's gang whose girlfriend Reggie had an affair with. The only lead is four tattoos that is on the girls Reggie had affairs with while Charlie was in jail. But Sabbath is on Charlie's trail to kill him and the Italians contract the mob - to find the money and then kill him.....
Art Direction:
Geoffrey Tozer
Assistant Art Director:
John Lageu
Assistant Director:
Derek Whitehurst
Best Boy Grip:
Brian Smith
Camera Operator:
Neil Binney
Casting:
Thelma Graves
Conductor:
Marcus Dods
Continuity:
Thelma Orr
Costume Designer:
Verena Coleman
Director:
Cliff Owen
Director of Photography:
Ernest Steward
Editor:
Bill Blunden
Executive Producer:
Frank Launder
Sidney Gilliat
Gaffer:
Dave Clarke
Hairdresser:
Katie Dawson
Location Manager:
Bernard Hanson
Makeup Artist:
Heather Nurse
Original Music Composer:
Christopher Gunning
Producer:
E.M. Smedley-Aston
Production Manager:
John Oldknow
Screenplay:
John Warren
John Singer
Sound Editor:
John Ireland
Sound Recordist:
Kevin Sutton
Nolan Roberts
Wardrobe Master:
Jean Fairlie
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.