A work in constant progress (and occasional regress).
Release Date:
January 31, 2025
Original Title:
The Time of Our Lives
Ratings / Certifications:
N/A
Runtime: 28
The Time of Our Lives is a science fiction film in the style of a sitcom. In a domestic setting, moments from the lives of the couple V Sin and Wai King unfold through sequences beyond standardized clock time and linear chronologies. Drawing from theories of quantum mechanics and general relativity, the work uproots the concept of absolute time as a means to challenge assumptions about objective truth and consensus reality. [Overview courtesy of e-flux]
Assistant Editor:
Matthew Dilworth
Assistant Production Design:
Maria Abad
Molly Bonnell
CGI Supervisor:
Charlotte Öström
Casting Director:
Gemma Gurvitz
Color Grading:
Alex Carswell
Colorist:
Andi Chu
Costume Assistant:
Fraser Kenneth
Costume Supervisor:
Matt King
Director:
Sin Wai Kin
Director of Photography:
Rosie Taylor
Editorial Coordinator:
Naike Mabois-Th
Electrician:
Luke Makepeace
Burt Hertado
Rufai Ajala
First Assistant Camera:
Lucie Seymour
First Assistant Director:
Ffion Kunz
Gaffer:
Hollie Mapp
Graphic Designer:
Aires Moross
Hair Assistant:
Motoharu Iwaizumi
Hair Designer:
Shunsuke Meguro
Makeup Artist:
Luke Slyka
Producer:
Samantha Wolf
Maya Defeu
Production Assistant:
Anna Saracka
Production Designer:
Filo Deportalberta
Second Assistant Camera:
Chloe Goument
Second Assistant Director:
Morris Pusey
Sound:
Leon James Radschinski
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.