A work in constant progress (and occasional regress).
Release Date:
September 20, 1975
Original Title:
Fango bollente
Alternate Titles:
Die grausamen Drei
Fango Bollente
Justicia para todos
Genres:
Action | Crime
Production Companies:
Comma 9
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 85
By day, Ovidio (Joe Dallesandro) and his two friends work at a data center. After work, they blow off steam by committing random acts of savage violence, swiftly graduating from sparking a riot at a football game to vehicle theft, rape, and murder. The police are convinced this recent spate of crimes is politically motivated, but world-weary veteran Commissario Santaga (Enrico Maria Salerno) suspects a far more terrifying explanation: that these young men are motivated by nothing more than boredom and disaffection at civilized society. As Ovidio's behavior escalates, a psychological game of cat-and-mouse ensues between the two adversaries, building towards a shocking final confrontation.
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Additional Editor:
Stefano Ardinzone
Assistant Camera:
Marco Onorato
Assistant Director:
Claudio Bondi
Mario Zonta
Assistant Editor:
Anita Cacciolati
Boom Operator:
Giancarlo Laurenzi
Camera Operator:
Sebastiano Celeste
Costume Design:
Emilio Baldelli
Director:
Vittorio Salerno
Director of Photography:
Giulio Albonico
Editor:
Enzo Meniconi
Electrician:
Alberico Novelli
General Manager:
Angelo Iacono
Hairstylist:
Elda Magnanti
Key Grip:
Aldo Taloni
Key Makeup Artist:
Giuliano Laurenti
Makeup Artist:
Giovanni Morosi
Original Music Composer:
Franco Campanino
Production Design:
Eugenio Liverani
Production Manager:
Carlo Cucchi
Production Supervisor:
Cesare Iacolucci
Screenplay:
Giancarlo Balestrini
Lucile Laks
Ernesto Gastaldi
Vittorio Salerno
Script Supervisor:
Serena Canevari
Seamstress:
Angela Viglino
Second Assistant Director:
Giangiacomo Tabet
Eduardo Salerno
Set Decoration:
Eugenio Liverani
Sound:
Mario Faraoni
Alberto Bartolomei
Sound Effects Editor:
Massimo Anzellotti
Special Effects:
Germano Natali
Still Photographer:
Francesco Bellomo
Story:
Ernesto Gastaldi
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.