A work in constant progress (and occasional regress).
Original Title:
Ripped Pages , Broken Bones
Ratings / Certifications:
N/A
Runtime: 40
A poetic and emotionally charged short film, Ripped Pages, Broken Bones brings Kelsea Hamm’s raw and unfiltered poetry to life through a visually stunning narrative. The film follows a young woman struggling to piece herself back together after a toxic love affair and years of self-destruction. Told in a nonlinear style, her story unfolds through haunting flashbacks, spoken-word poetry, and surreal imagery that blurs the line between memory and reality. As she navigates loneliness, heartbreak, and the weight of past trauma, ripped pages from her old journals appear throughout the film—floating in the air, burning in the sink, or scattered across the floor—representing the pieces of herself she’s trying to reclaim. The title’s “broken bones” are both metaphorical and real, symbolizing the pain she has endured and the resilience she must find to heal.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.