A work in constant progress (and occasional regress).
Release Date:
April 24, 2025
Original Title:
Pink Floyd At Pompeii - MCMLXXII
Alternate Titles:
Pink Floyd Live at Pompeii - MCMLXII
Pink Floyd: At Pompeii - MCMLXXII
Pink Floyd: Live at Pompeii - MCMLXII
Pink Floyd: Pink Floyd At Pompeii - MCMLXXII
Pink Floyd: Pink Floyd Live at Pompeii - MCMLXII
Genres:
Documentary | Music
Production Companies:
BR
Office de Radiodiffusion Télévision Française
RM Productions Fernseh- und Filmgesellschaft
RTBF
Sony Music
Production Countries:
Belgium | France | Germany | United Kingdom
Ratings / Certifications:
LT: N-13
Runtime: 85
This meticulous restoration of the groundbreaking 1972 film directed by Adrian Maben delivers stunning image and sound quality, featuring an enhanced mix from Steven Wilson in 5.1 and Dolby Atmos. Inspired by the golden warmth of Pompeii’s iconic setting, the remaster transforms the original 35mm footage into a masterpiece of sight and sound.
Archival Footage Coordinator:
Villi Knudsen
Archival Footage Research:
Vernon Fitch
Assistant Director:
Serena Ciccarelli
Antonio di Sauro
Marie-Chantal Enouf
Assistant Editor:
Marie-Claire Perret
Associate Producer:
Michèle Arnaud
Reiner E. Moritz
Nick Ryle
Camera Operator:
Adrian Maben
Claude Agostini
Christophe Bazille
Jacques Boumendil
Henri Czap
Gérard Hameline
Philippe Théaudière
Colorist:
Dominique Toqué
Continuity:
Zoé Zurstrassen
Director:
Adrian Maben
Director of Photography:
Willy Kurant
Gábor Pogány
Editor:
Nino DiFonzo
José Pinheiro
Executive Producer:
Alex Darbyshire
Mark Fenwick
Stephen O'Rourke
Makeup Artist:
Jim Gillespie
Production Director:
Marc Laurore
Leo Pescarolo
Hans Thorner
Sound:
Frederic Riviere
Sound Assistant:
Julien Campuzano
Sound Engineer:
Charles Rauchet
Peter Watts
Sound Mixer:
Paul Bertault
Philippe Carrere
Dan Wallin
Special Effects:
Michel François
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.