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Standing and Watching (2025) [N/A]

Release Date:
April 6, 2025

Original Title:
Parado mirando

Production Companies:
Aurora Cine
Esquimal Cine
Febrero Cine

Production Countries:
Argentina

Ratings / Certifications:
 N/A

Runtime: 15

Standing and Watching

Overview from TheMovieDB

Rafael is a poet who lives with his best friend, has a sad job in a gray office and a wornout relationship. The city is collapsing due to a heat wave that makes adults feel sick, but also gives them the opportunity to feel again.

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Additional information:

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Performers

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Production

Director:
Renzo Cozza

Director of Photography:
Sofia Sarasola

Editor:
Marina Iglesias

Executive Producer:
Cecilia Pisano
Lucía Dellacha
Flor Clericó
Laura Huberman

Music:
Miranda Johansen
Salvador Colombo

Producer:
Cecilia Pisano
Lucía Dellacha
Flor Clericó
Renzo Cozza
Laura Huberman

Sound:
Alex Del Río

Writer:
Renzo Cozza

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.