A work in constant progress (and occasional regress).
Release Date:
February 26, 2025
Original Title:
Pinky Promise
Genres:
Drama | Fantasy
Production Companies:
Universidad Iberoamericana (UNIBE)
Production Countries:
Dominican Republic
Ratings / Certifications:
N/A
Runtime: 18
When Amalia breaks a friendship spell, her best friend Daniela disappears from her life and memories. Now, Amalia must redo it before it's too late.
Art Department Assistant:
Dorca Jiménez
Art Direction:
Camila Newman
BTS Photographer:
Diana Tejada
Camera Operator:
Khalil Fersobe
Casting Assistant:
José A. Ureña
Casting Director:
Simón Lopez
Catering:
Gabriela Nuñez
Colorist:
Samuel Caraballo
Costume Assistant:
Paula Newman
Costume Design:
Liza Sánchez
Data Wrangler:
Jesús Villanueva
Unai Ochoa
Director:
Angelica Santos
Editor:
Samuel Caraballo
First Assistant Camera:
Napoleon Núñez
First Assistant Director:
Sara Brunacci
Gaffer:
Carlitos Way
Graphic Designer:
Diana Tejada
Deborah Fermín
Miguel Grullón
Grip:
Rony Geraldo
Key Grip:
Ramón Alcantara
Line Producer:
Lulubeth Geraldino
Location Coordinator:
Lulubeth Geraldino
Makeup & Hair:
Diana Guerrero
Makeup & Hair Assistant:
Dianna Suarez
Music:
Maja
Post Production Supervisor:
Angelica Santos
Ysabella Troncoso
Producer:
Ysabella Troncoso
Producer's Assistant:
María Catheline Dumé
Juan Carlos Gil
Carlos Padrón
Production Design:
Diego Duran
Props:
Martha Cabrera
Runner Art Department:
Sebastian Morales
Script Supervisor:
Briana de Coo
Second Assistant Camera:
Sebastián del Valle
Second Assistant Director:
Darlenys Marte
Sound:
Claudio Rafael De Los Santos
Sound Assistant:
Joan Abreu
Sound Designer:
Samuel Caraballo
Sound Mixer:
Samuel Caraballo
Still Photographer:
Ámbar Peña
Third Assistant Camera:
Camila Ramírez
Writer:
Ysabella Troncoso
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.