A work in constant progress (and occasional regress).
Featuring:
Olga Lapshina, Marina Gavrilova, Sasha Gavrilova
Written by:
Vasiliy Sigarev
Directed by:
Vasiliy Sigarev
Release Date:
August 30, 2012
Original Title:
Жить
Alternate Titles:
Schitj
Zhit
Жить
Genres:
Drama
Production Companies:
Cinema Foundation of Russia
Koktebel Film Company
Production Countries:
Russia
Ratings / Certifications:
RU: 16+
Runtime: 119
In the second feature film by Russian director Vasily Sigarev, fate brings ordeals to characters that find themselves immersed in deep crisis; they must seek the strength to cope with adversity. In a remote and cold region of Russia, Galya, a middle-aged woman with a drinking problem, has been separated from her twin daughters and she wants them back. On the other hand, Grishka and Anton are a young couple who decide to get married, but right after the wedding their relationship is put to the test in a brutal way. While Artyom longs to see his missing father, but his mother objects. There is only one element that brings all of these characters together: misfortune.
A mother wants to reunite with her twin daughters. A young couple marry in church, but immediately after the ceremony, God - or maybe the Devil, or maybe Blind Fate - tests their love in the most brutal way.A boy wants to see his estranged father, despite his mother's violent protests. Each of these characters lives through their own ordeal.
Additional Director of Photography:
Nina Zaytseva
Assistant Director:
Kirill Bobrov
Costume Design:
Viktoriya Vinogradova
Viktoriya Kalmykova
Director:
Vasiliy Sigarev
Director of Photography:
Alisher Khamidkhodzhaev
Editor:
Daria Danilova
Makeup Artist:
Pyotr Gorshenin
Artyom Krylov
Original Music Composer:
Pavel Dodonov
Production Design:
Lyudmila Dyupina
Sound:
Vladimir Golovnitsky
Sound Re-Recording Mixer:
Ivo Heger
Stunt Coordinator:
Viktor Ivanov
Aleksandr Anshutts
Writer:
Vasiliy Sigarev
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.