A work in constant progress (and occasional regress).
Release Date:
February 22, 1962
Original Title:
Satan Never Sleeps
Genres:
Drama
Production Companies:
20th Century Fox
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 125
A priest arrives at a mission-post in China accompanied by a young native girl who has joined him along the way. His job is to relieve the existing priest, who is now too old and weak to continue with the upkeep of the church. However, Communist soldiers arrive at the mission and seize it as a command post. Their leader rapes the native girl and impregnates her, only later to realize that Communism is no good for him. In the end, the foursome flee to the border, but are pursued by Communist forces along the way.
Assistant Art Director:
Ivor Beddoes
Jim Morahan
John Hoesli
Associate Producer:
Cecil F. Ford
Boom Operator:
Bill Cook
Geoffrey Kidd
Camera Operator:
Brian West
Casting Director:
Nora Roberts
Conductor:
Muir Mathieson
Continuity:
Connie Willis
Director:
Leo McCarey
Director of Photography:
Oswald Morris
Editor:
Gordon Pilkington
Focus Puller:
Jimmy Turrell
Hairdresser:
Bill Griffiths
Makeup Supervisor:
George Frost
Novel:
Pearl S. Buck
Original Music Composer:
Richard Rodney Bennett
Producer:
Leo McCarey
Production Design:
Thomas N. Morahan
Production Manager:
Jack Swinburne
Screenplay:
Leo McCarey
Claude Binyon
Set Dresser:
Jack Stephens
Sound Recordist:
John Bramall
Wardrobe Master:
Doris Turner
Wardrobe Supervisor:
Arthur Newman
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.