A work in constant progress (and occasional regress).
Release Date:
April 13, 2025
Original Title:
Back to the Closet
Genres:
Comedy | Music | Science Fiction
Production Companies:
Spacetube Studios
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 15
After accidentally coming out of the closet, Deena must undo her mistake through the only logical method: time travel.
Art Department Production Assistant:
Amelia Raczka
Boom Operator:
Shane Opinaldo
Casting Director:
Dana Tohme
Choreographer:
Lottie Johnson
Cinematography:
Tania Habib
Colorist:
Ry Guselle
Dialogue Editor:
Emily Bak
Digital Imaging Technician:
Lina Cunningham-Bracht
Director:
Alex Dashwood
Driver:
Tom Dalton
Emily Lindgreen
Dana Tohme
Madie Cueva
Editor:
Alex Dashwood
Madie Cueva
First Assistant Camera:
V Li
Jaden Seaforth
Evan Park
First Assistant Director:
Jack Morrissey
Foley:
Rosa Mutheardy
Gaffer:
Coen Chap Yu Leung
Grip:
Aveen Damghani
Gabriella Kinney
Ethan Akler
Joshua Day
Key Grip:
Jimmy Rai
Line Producer:
Jack Morrissey
Makeup & Hair Assistant:
Ashneet Lalli
Makeup Artist:
Lauryn Kapral
Kathleene Gillis-Baker
Music Producer:
Ry Guselle
Original Music Composer:
Reyhaneh Nematinejad
Producer:
Idy Barry
Production Assistant:
Sarah Hergel
John Michael Symington
Astrud Robichaud
Jackie Soave
Julia Smeaton
Production Designer:
Dana Tohme
Props:
Bianca Rowe
Script Supervisor:
Evie Bhasin
Kinah Lambie
Minori Peters
Charlie Jane Smith
Second Assistant Camera:
Neila Flores
Sharene Sab-It
Second Assistant Director:
Connor Fortin
Julia Smeaton
Songs:
Alex Dashwood
Idy Barry
Madie Cueva
Sound:
Emen Trussart
Sound Recordist:
O Stecina
Hannah Barker
Visual Effects:
Alex Dashwood
Madie Cueva
Erin Law
Rianna Tenn
Ayanna West
Wardrobe Assistant:
Charlie Nootebos
Writer:
Alex Dashwood
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.