A work in constant progress (and occasional regress).
Original Title:
Crazy Daisy’s
Ratings / Certifications:
N/A
Runtime: 13
Set over a typical weekend from inside contemporary working-class culture, Crazy Daisys is a rare glimpse, through a female-led lens, on lives that are often overlooked, shedding light on struggles and resilience in economically disadvantaged areas. The film focuses on four friends living in a deprived council housing scheme as they confront adversity with courage and humour, mirroring the harsh realities of everyday life in Clydebank.
Boom Operator:
Robert Stevenson
Colorist:
Kasparas Vidunas
Data Wrangler:
Robert Stevenson
Director:
Sara Jane Kirkwood
Director of Photography:
Kirstin McMahon
Editor:
Florian Nonnenmacher
Executive Producer:
Martina Russo
Natalie Arle-Toyne
Fight Choreographer:
Michael J Warne
First Assistant Director:
Eilidh Murdoch
Remo Catani
Focus Puller:
Steph R Ward
Graphic Designer:
John Gerrard O'Neill
Loader:
Aida McEwen
Emily Ritchie
Diana Onotu
Makeup & Hair:
Jennifer Williamson
Makeup Artist:
Rebecca Payne
Margaret-Anne McLean
Makeup Effects:
Jennifer Williamson
Online Editor:
Kasparas Vidunas
Producer:
Sara Jane Kirkwood
Production Runner:
David Hamilton
Conor McMahon
Euan McClenaghan
Set Dresser:
John Gerrard O'Neill
Sound Designer:
Robert Stevenson
Sound Recordist:
Paul Travers
David McKeitch
Sophie Whiteford
Robert Stevenson
Sound Supervisor:
David McKeitch
Standby Art Director:
Rosie Toner
Still Photographer:
Julia Bauer
Writer:
Sara Jane Kirkwood
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.