Home

25th Hour (2002) [R]

Release Date:
December 19, 2002

Original Title:
25th Hour

Alternate Titles:
24 heures avant la nuit
La 25a ora
La 25e Heure
La 25ima ora
La hora 25
La venticinquesima ora
La última noche
一线曙光
转折一刻

Genres:
Crime | Drama

Production Companies:
40 Acres and a Mule Filmworks
Touchstone Pictures

Production Countries:
United States of America

Ratings / Certifications:
AR: 13  AT: 16  AU: MA15+  BR: 14  CA: 14A  CH: 14  CZ: 15+  DE: 12  DK: 15  ES: 12  FI: K-16  FR: TP  GB: 15  GR: 15  HU: 16  IE: 15  IS: 12  IT: T  KR: 15  NL: 16  NO: 15  NZ: R13  PE: 14  PH: R-18  PL: 16  PT: M/12  SE: 11  US: R 

Runtime: 135

Can you change your whole life in one day?

Overview from TheMovieDB

In New York City in the days following the events of 9/11, Monty Brogan is a convicted drug dealer about to start a seven-year prison sentence, and his final hours of freedom are devoted to hanging out with his closest buddies and trying to prepare his girlfriend for his extended absence.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Editor:
Marissa Littlefield
Hal Levinsohn

ADR Engineer:
David Boulton

ADR Recordist:
Alex Raspa

Art Department Coordinator:
Alexander Wei

Art Direction:
Nicholas Lundy

Assistant Art Director:
Charley Beal
Ellen Waggett
Dan Kuchar

Assistant Property Master:
Akeo Ihara

Assistant Set Decoration:
Alison Froling

Assistant Sound Editor:
Igor Nikolic
Chris Fielder
Nani Schumann

Associate Producer:
Jeff Sommerville

Best Boy Grip:
Chris Skutch

Boom Operator:
Stuart Deutsch

Camera Operator:
Christopher Norr
Jody Williams

Casting:
Aisha Coley

Charge Scenic Artist:
Roland Brooks

Construction Coordinator:
Richard Hebrank

Costume Design:
Sandra Hernandez

Costume Supervisor:
Joanna Brett
Sukari McGill

Dialogue Editor:
Fred Rosenberg

Director:
Spike Lee

Director of Photography:
Rodrigo Prieto

Dolby Consultant:
Thomas Kodros

Dolly Grip:
Rick Marroquin
Gregory Cahill

Editor:
Barry Alexander Brown

Executive Producer:
Nick Wechsler

First Assistant Camera:
James R. Belletier
Heather Norton

First Assistant Director:
Mike Ellis

First Assistant Editor:
K.A. Miille

Foley Artist:
Marko Costanzo
Leslie Bloome
David Warzynski

Foley Editor:
Kam Chan
Frank Kern

Foley Mixer:
Matthew Haasch

Foley Recording Engineer:
George A. Lara

Gaffer:
Robby Baumgartner

Hairstylist:
Fríða Aradóttir

Key Grip:
Lamont Crawford

Key Hair Stylist:
Mary Cooke

Key Makeup Artist:
Ellie Winslow

Key Rigging Grip:
Robert M. Andres

Leadman:
Robin Koenig

Makeup Artist:
Julie L. Pearce

Music Editor:
Todd Bozung

Negative Cutter:
Noëlle Penraat

Novel:
David Benioff

Original Music Composer:
Terence Blanchard

Payroll Accountant:
Joan Devilla

Post Production Supervisor:
Colin Cumberbatch
Paul Leonardo Jr.

Producer:
Julia Chasman
Jon Kilik
Spike Lee
Tobey Maguire

Production Coordinator:
Angela Quiles
Betty Chin

Production Design:
James Chinlund

Property Master:
Tim Oravetz
King Orba

Rigging Gaffer:
Peter Walts

Screenplay:
David Benioff

Script Supervisor:
Shari L. Carpenter

Second Assistant Camera:
Kris Enos
Caesar S. Carnevale

Second Assistant Director:
Tracey Hinds

Second Second Assistant Director:
Michael A. Pinckney

Set Decoration:
Ondine Karady

Sound Editor:
Jesse Ehredt

Sound Effects Designer:
Sean Garnhart

Sound Effects Editor:
Sean Garnhart

Sound Mixer:
Rolf Pardula

Sound Re-Recording Mixer:
Michael Barry
Sean Garnhart

Steadicam Operator:
Jim McConkey
Andrew Casey

Still Photographer:
David Lee

Stunt Coordinator:
Jeff Ward

Supervising Sound Editor:
Philip Stockton

Thanks:
Bruce Springsteen

Unit Production Manager:
Jon Kilik

Unit Publicist:
Jackie Bazan

Utility Sound:
Karl Wasserman

Visual Effects Supervisor:
Randall Balsmeyer

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.