A work in constant progress (and occasional regress).
Release Date:
December 5, 2023
Original Title:
Lost Landscapes 02023: City and Bay in Motion
Ratings / Certifications:
N/A
Runtime: 66
Lost Landscapes sets the Bay in motion, revolving around the myriad mobilities and means of communication that have kept Californians in touch with each other. Casting an archival gaze on San Francisco and its surrounding areas, the film revels in the textures and activities of everyday life, work and celebration, replaying known and unknown historical moments, daylighting lost and found infrastructures, revealing the scars of settlement and pointing to more hopeful futures. This year’s film is drawn from over 3,000 archival films newly scanned in the past year, including home movies, government-produced and industrial films, feature film outtakes and other surprises from the Prelinger Archives collection and elsewhere.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.