A work in constant progress (and occasional regress).
Release Date:
July 20, 2024
Original Title:
Sing Me To Sleep
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 25
A man brings his terminally ill wife home for the little time she has left; they attempt to make the most of her last days as they both must reconcile that their life together is coming to an end.
Art Direction:
Anna Kotecki
Associate Producer:
Jeff Barrios
Michael O'Bradovich
Leslee O'Bradovich
Mario Valdivieso Sr
Carmina Valdivieso
Best Boy Electric:
Gabrielle Dacuycuy
Best Boy Grip:
Kayla Garcia
Boom Operator:
Bailey Oliver
Brandon Ollio
Casting:
Brent Ervin-Eickhoff
Color Grading:
Marco Ignacio Rodríguez
Colorist:
David Chávez
Costume Designer:
Tamara Hoover
Director:
Mario Valdivieso
Director of Photography:
Ananth Bharadwaj
Editor:
Adrian Orozco
Executive Producer:
Maria Antonia Marquez
Jeff Lex
Whitney Hohman
Executive Visual Effects Producer:
Alejandra Diaz
First Assistant Camera:
Danny Lencioni
First Assistant Director:
Olivia Baczkowski
Grip:
Dallys Dorsey
Key Grip:
Dominic Mongelli
Logan Parrish
Post Production Coordinator:
Ricardo Rico
Post Production Supervisor:
Adrian Orozco
Producer:
Mario Valdivieso
Adrian Orozco
Kira O'Bradovich
Production Assistant:
Caroline Hendricks
Maria Antonia Marquez
Brandon Ollio
Project Manager:
Miriam Montserrat Ortega Quiroga
Script Supervisor:
Adrian Orozco
Second Assistant Camera:
Ellie Compton
Alexis Georgopoulos
Calvina Li
Second Assistant Director:
Jillian Walls
Sound Editor:
Axel Loaria Aviléz
Jose Ivan Gonzalez Rodriguez
Emmanuel Romero
Rodolfo Romero
Sound Recordist:
Claire Genter
Sam Ruesink
Still Photographer:
Kyle Anne Grendys
Unit Production Manager:
Kira O'Bradovich
Visual Effects:
Rodolfo Guerrero
Writer:
Mario Valdivieso
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.