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Auto Focus (2002) [R]

Release Date:
October 18, 2002

Original Title:
Auto Focus

Genres:
Crime | Drama

Production Companies:
Focus Puller Inc.
Good Machine
Propaganda Films

Production Countries:
United States of America

Ratings / Certifications:
CH: 18  CZ: 15+  DE: 16  FR: 12  GB: 18  HU: 18  IE: 18  JP: R15+  SE: 15  US: R 

Runtime: 104

A day without sex is a day wasted.

Overview from TheMovieDB

A successful TV star during the 1960s, former "Hogan's Heroes" actor Bob Crane projects a wholesome family-man image, but this front masks his persona as a sex addict who records and photographs his many encounters with women, often with the help of his seedy friend, John Henry Carpenter. This biographical drama reveals how Crane's double life takes its toll on him and his family, and ultimately contributes to his death.

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Additional information:

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Trailer

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Performers

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Production

"A" Camera Operator:
Paul A. Edwards

"B" Camera Operator:
Jeffrey Greeley

ADR Editor:
Ken Cade

Accountant:
M. Ross-Michaels

Art Direction:
Seth Reed

Assistant Costume Designer:
Michael Dennison

Assistant Editor:
Hilary Peabody
Melissa Remenarich

Assistant Location Manager:
Eddie Merino
Hector Tinoco
Keura Alexander

Assistant Property Master:
Randy Gunter

Best Boy Electric:
Frank Endewardt

Best Boy Grip:
Thomas Crawford

Book:
Robert Graysmith

Boom Operator:
Chris Main

Casting:
Wendy Kurtzman

Casting Associate:
Caroline Liem

Co-Producer:
Brian Oliver

Color Timer:
Cathy Rait

Construction Coordinator:
Nick Rock

Costume Design:
Julie Weiss

Costume Supervisor:
Pamela Lee Incardona

Costumer:
Neil Tansey
Barbara Marko

Dialogue Editor:
David Drainie Taylor

Director:
Paul Schrader

Director of Photography:
Fred Murphy

Dolly Grip:
Andreas Crawford

Editor:
Kristina Boden

Electrician:
Michael Tolochko

Executive Producer:
Rick Hess
Trevor Macy
James Schamus

Extras Casting:
Kristan Berona

First Assistant "B" Camera:
James W. Apted

First Assistant Accountant:
Karen Yokomizo

First Assistant Camera:
Barry Idoine

First Assistant Director:
Aaron Barsky

Foley Artist:
John Sievert

Gaffer:
Michael Bauman

Graphic Designer:
William Eliscu

Hairstylist:
Cheryl Eckert
Candace Neal

Key Grip:
Richard Mall

Key Hair Stylist:
Melissa Yonkey

Key Makeup Artist:
Isabel Harkins

Leadman:
Grant Samson

Location Manager:
Nathan Polatin

Makeup Artist:
Rebecca DeHerrera

Makeup Effects:
Rob Hinderstein
Joel Harlow

Music Consultant:
Todd Rosken
Jim Dunbar
Danny Holloway

Music Coordinator:
Yvonne McDonald

Music Editor:
Tass Filipos

Music Supervisor:
G. Marq Roswell

Orchestrator:
Angelo Badalamenti
Andrew Barrett

Original Music Composer:
Angelo Badalamenti

Producer:
Scott Alexander
Alicia Allain
Patrick Dollard
Larry Karaszewski
Todd Rosken

Production Coordinator:
Michael Hubert

Production Design:
James Chinlund

Production Supervisor:
Cheryl Kurk

Property Master:
Rick Chavez

Script Supervisor:
Rebecca Poulos

Second Assistant Camera:
James W. Apted

Second Assistant Director:
Barbara M. Ravis

Set Costumer:
David Page

Set Decoration:
Gene Serdena

Set Designer:
Sam Page

Sound Assistant:
Timothy Mehlenbacher
Peter Kambasis

Sound Re-Recording Mixer:
Daniel Pellerin

Sound Recordist:
Steve C. Aaron

Special Effects:
John C. Hartigan

Stand In:
Kevin Beard
Ed Carney

Steadicam Operator:
Chris Squires

Still Photographer:
Frank Masi

Supervising Sound Editor:
Steve Munro

Title Designer:
Kenneth J. Ferris

Transportation Captain:
Thomas P. Donovan

Transportation Coordinator:
Robert Benjamin

Unit Production Manager:
Avi Levy

Visual Effects Producer:
Sarah Jackson-Seirafi

Visual Effects Supervisor:
Ziad Seirafi

Writer:
Michael Gerbosi

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.